Bombing Science With the Zohan
Urban culture possesses its own art aesthetic with regard to graffiti, the subversive and restless cousin of municipally sanctioned mural art. In Tel-Aviv that expression finds its voice of insurgency despite the weight of cultural karma. Israeli graffiti artists have generally avoided using the security fence as a painting surface in part because of a recognition that a creative process on katusha resistant cement just normalizes issues of race, consumerism and militarism by bestowing the aesthetics of modernism as a collage on an pricey public works project that war profiteers make fortunes building and maintaining.
Capzoola is the only grafiiti supplies store in the country. its owner ”Lalo” stated: ”We are not anarchists. Political art is much more visceral and political conflicts slow down the creative process” yet political themes prevail as well.Graffiti art is repressed in Tel-Aviv with the active assistance of UNESCO yet May ’68 French situationist slogans are a la mode. So when in Tel-Aviv just… imagine you are walking along the left bank of the Seine and Guy Debord asks you to ”Join the resistance and fall in in love.”



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