The occasion was Catherine the Great’s triumphal tour of the Crimea, the longest, most lavish, most expensive boating party in world history. The Empress showed off the wonders of her realm, and they were many indeed. But were they real or were they fake?…
![---English: Taming of the shrew: —Katharine & Petruchio; —The modern Quixotte, —or, what you will— SUMMARY: Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse's tail; a gaunt figure representing the old order in France and Leopold II render assistence to Catherine by preventing her from falling to the ground. MEDIUM: 1 print : etching, hand-colored. CREATED/PUBLISHED: [London] : Pubd. by S.W. Fores, 1791 April 20th. According to Wright & Evans, Historical and Descriptive Account of the Caricatures of James Gillray ---WIKI](/wp-content/uploads/2012/12/catherine7.jpeg)
— Taming of the shrew: —Katharine & Petruchio; —The modern Quixotte, —or, what you will—
SUMMARY: Cartoon shows Catherine II, faint and shying away from William Pitt, who appears as Petruchio, and Don Quixote on horseback (a lean and scarred George III whose authority has been usurped by Pitt), seated behind Pitt are the King of Prussia and a figure representing Holland as Sancho Panza, Selim III kneels to kiss the horse’s tail; a gaunt figure representing the old order in France and Leopold II render assistence to Catherine by preventing her from falling to the ground.
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CREATED/PUBLISHED: [London] : Pubd. by S.W. Fores, 1791 April 20th.
According to Wright & Evans, Historical and Descriptive Account of the Caricatures of James Gillray —WIKI

—Equestrian portrait of Catherine of Wurtemberg by Antoine-Jean Gros 1810-20—click image for source…
In Kiev, each foreign ambassador was provided with a palace, liveried servants, private coaches, and for their diversion, an unceasing round of balls and banquets while they waited for the spring thaw when the Dneiper would be navigable. At the heart of the guest list were the diplomats suach as the suave and witty Prince de Ligne, the Comte de Segur, Count Cobenzl and others. Between planned festivities, impromptu storytelling, versemaking, and cards, conversation ranged widely- literature, philosophy, town planning, child education, architecture- with Catherine initiating each topic and skillfully seeing to it that the dilpomats were fully informed about the regions through which they would travel. These were her foreign correspondents, her press corps, who would tell the rest of the world of Russia’s achievements and future plans. However, she forbade talk of politics, and in a burst of warm feeling, declared that everyone should address each other by the familiar “thou.” “I wish the whole of Europe might address me thus.” But only de Ligne had the courage to speak to the Empress as “Ta Majeste.” ( to be continued)…

—Rudolph Valentino, the 1920s romantic idol, never appeared to better advantage than in films where his passionate aura was tempered with sly wit, as in The Eagle, where he is an elegant Russian soldier compelled to lead a double existence after running afoul of man-hungry Catherine the Great (played by Louise Dresser). Gorgeous Hungarian co-star Vilma Banky is tougher than she looks and plays off Valentino superbly. Live piano accompaniment by Philip C. Carli.—click for link…