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Tag Archives: Claude Lorrain
billion dollar bash
Living in dangerous times. Currency wars have been on the fringe of public consciousness for some time, mainly as as an echo of anti-China sentiment on their dumping practices into north American markets. However we are on the verge of … Continue reading
petworth: painter’s paradise
He was the perfect patron. Lord Egremont’s whims included art and artists, and Turner painted luminous works at Petworth for him. Egremont befriended and encouraged the artist for more than thirty years, from 1809 until Egremont’s death in 1837. Inside … Continue reading
nature abhors a straight line
England’s original contribution to garden art is the landscape park. William Kent was among the first to see that “all nature is a garden.” and his famous dictum that ” nature abhors a straight line.” Interesting in light of linear … Continue reading
swallowing man and myth: presence of the green truth
The infiltration of Andelysian luxuriance into Roman severity marks nature’s triumph in Nicolas Poussin’s ultimate works of 1658-1664. As action had once been reduced to immobility, so now it is absorbed by nature’s serenity. Time is swallowed by space, history … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Claude Lorrain, Claude Monet, Corot, David Carrier, Ernst Gombrich, Erwin Panofsky, Franz Kafka, Gustave Courbet, Hamilton Reed Armstrong, John Haber Art, Martin Buber, Meyer Schapiro, miles w. mathis, Nicolas Poussin, Richard Wollheim, Thomas Cole art, William Hazlitt
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poussin: transposing the poets’s world
Just as it abstracts the figures in the foreground, Nicolas Poussin’s geometry opens up nature in the background. The narrow dramatic stage now gives way to a landscape so vast that, it appears it would take more than a day … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged andrew butterfield, Claude Lorrain, David Carrier, Ernst Gombrich, Erwin Panofsky, Goethe, John Haber Art, Keith Christiansen, miles w. mathis, Nicolas Poussin, olivier bonfait, Pierre Rosenberg, Richard Wollheim, William Hazlitt
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poussin: showing your peasant
As Mondrian himself and many others have proved, mathematical perfection has a finality which is often fatal to art. That was a danger that threatened Nicolas Poussin. What saved him was the reappearance, around 1650, of a side of his … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged andrea del sarto, ann sutherland harris, Claude Lorrain, Corot, ed ruscha, Ernst Gombrich, Erwin Panofsky, Gentile Bellini, Georges Seurat, Keith Christiansen, Nicolas Poussin, olivier bonfait, paul bril, Paul Cezanne, Pierre Rosenberg, Piet Mondrian, silvia ginzburg, Sir Kenneth Clark, thomas cole the course of empire, Titian
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poussin the golden: divine means of abstract geometrical truth
He tried to live in France from 1640-42, called back by King Louis XIII and the urging of Cardinal Richelieu who felt it imperative that France had greater artistic luster.Claude Lorrain was also compelled to return. Poussin had been appointed … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Bernini, Cardinal Richelieu, Claude Levi-Strauss, Claude Lorrain, Clement Greenberg, David Carrier, Ernst Gombrich, Erwin Panofsky, Keith Christiansen, king louis XIII, Nicolas Poussin, Paul Gauguin, Pierre Rosenberg, Richard Wollheim, Sir Kenneth Clark
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salon not saloon? : against the assaults of boors and madmen
In practice the Academy became a closed circle of conventional talents , of men skilled equally in he manipulation of trite formulas for painting and the manipulation of advantageous personal contacts. The situation was deplorable, but it was also inevitable. … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Modern Arts/Craft
Tagged Baudelaire, Bouguereau, Claude Lorrain, Eugene Delacroix, Francisco Goya, Henri Guillaume Schlesinger, Honoré Fragonard, Jean Antoine Watteau, Jean Leon Gerome, Jehan Georges Vibert, Nicolas Poussin, Paul Delaroche, Schlesinger, Sir Edwin Landseer, Theophile Gautier, Vibert, William-Adolphe Bouguereau
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PASSION FOR POMPEII: “RANDY FOR ANTIQUE”
It was buried by a volcanic eruption in 79 A.D. Pompeii. When the ruins came to light, beginning in 1747, they caused a revolution in taste- stripping away rococo gilt, reshaping the female figure , and leaving a deposit of … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Archibald Alison, Benjamin West, Bulwer-Lytton, Charles Greville, Christopher C. Parslow, Claude Lorrain, Dr. Salvatore Ciro Nappo, Edward Bulwer-Lytton, Eleanor Coade, Emma Hamilton, George Romney, Giambattista Piranesi, Giorgio Sommer, Goethe, Goethe Italy, Horace Walpole, Jean Racine, Johann Joachim Winckelmann, John Flaxman, Joseph Addison, Josiah Wedgewood, Josiah Wedgwood, Judith Harris, Karl Weber Pompeii, Lord Nelson, Matthew Boulton, Nicolas Poussin, Queen Maria Carolina of Naples, Richard West, Robert Adam Architect, Robert Fulford, Sir William Hamilton, The Grand Tour, Thomas Gray, William S. Anderson
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Antique Eurythmics: “TABLEAU VIVANTS” at POMPEII
When the ruins of Pompeii came to light, they caused a revolution in taste- stripping away rococo gilt, reshaping the female figure, and leaving a deposit of pseudo-Greek temples from Moscow to Mississippi; although what sometimes passed for “classical” would … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Archibald Alison, Charles Greville, Claude Lorrain, Cochin, Comte de Caylus, Emma Hamilton, Fragonard, Francois Boucher, George Romney, Giambattista Piranesi, Goethe, Horace Walpole, Horatio Nelson, Jean Racine, Johann Joachim Winckelmann, Joseph Addison, Joshua Reynolds, Lord Nelson, Lord Pembroke, Pompeii, Pompeii Art, Pompeii frescoes, Queen Maria Carolina of Naples, Revett, Richard West, Thomas Gray, Vivien Leigh
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