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Tag Archives: Henry Fielding
high on the hog: boastful splendiferous types
…Of what there is no doubt is that this life was wasteful, extravagant, ostentatious- an appalling contrast, as Dr. Samuel Johnson noted, to the human wretchedness of rural or urban slums; yet it was saved both by its humanity and … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged David Garrick, Dr. Samuel Johnson, Earl of Egremont, George Macaulay Trevelyan, George Stubbs, Henry Fielding, James Boswell, Johann Zoffany, John Berger, Jonathan Jones Guardian, Madame Pickwick, Sir Robert Walpole, Thomas Gainsborough, William Hogarth
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canaletto: one sunny afternoon
Twas’ a sunny day. Canaletto in London. He painted, in 1746, his A View of the Thames from Lambeth Palce; the city of London as it looked on that sparkling summer day in the middle of the eighteenth century. We … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Alexander Pope, Canaletto A View of the Thames, Canaletto in England, Charles Dickens, Dr. Samuel Johnson, George Vertue, Henry Fielding, James Gibbs design, Madame Pickwick, madame pickwick art blog, Morton's Tower London, Nicholas Hawksmoor, Owen McSwiney, Robert Griffier painter, the Adams brothers design, Westminster Bridge, William Hogarth
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Canaletto: not quite picture perfect
Canaletto in London in 1746. He painted A View of the Thames from Lambeth Palace; the best of cities on a sparkling summer day. But what was really happening behind those walls and in those narrow streets on that sunny … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Alexander Pope, Canaletto A View of the Thames, Canaletto in England, Charles de Brosses, David Garrick, Dr. Samuel Johnson, Henry Fielding, James Gibbs, Mrs. Cibber, Nicholas Hawksmoor, Owen McSwiney, Peg Woffington, Ranelagh gardens London, Robert Griffier painter, the Adam brothers design, Tobias George Smollet, Wedgewood pottery
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canaletto in London: one picture tells many stories
Canaletto’s picture perfect painting for postcard tourist reproduction was just a bit too idyllic and ideal. He painted a View From the Thames from Lambeth Palace on a sparkling summer day in the middle of the eighteenth century. But what … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Alexander Pope, Canaletto, Canaletto A View of the Thames, Canaletto in England, Charles Beddington curator, Charles de Brosses, Charles James Fox, Edward Dayes water colorist, George Vertue, Henry Fielding, Owen McSwiney, Robert Griffier painter, Samuel Scott painter, Thomas Chippendale furniture, Thomas Hill tutor Duke of Richmond, War of Austrian Succession
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canaletto: capturing the body english
Canaletto and his postcard from London. A little too picure perfect. What was really happening behind those walls and in those narrow streets on that sunny afternoon… On the whole, London was lucky in that the town’s best source of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Alexander Pope, Canaletto, Canaletto in England, Catchpenny prints, Charles Dickens, Chelsea Ware, Henry Fielding, Madame Pickwick, madame pickwick art blog, Richard Sheridan, Robert Griffier painter, Steele and Addison, Thomas Chippendale furniture, Wedgewood pottery
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canaletto: from venice to the thames
Canaletto’s iconic painting, A View of the Thames from Lambeth Palace is a picture perfect postcard, but behind this idyllic view of eighteenth century London was simply too pleasant. Only a tourist could believe it. In fact, much was happening … Continue reading
Posted in Feature Article, Ideas/Opinion
Tagged Alexander Pope, Canaletto, Canaletto in England, Catchpenny prints, Charles Dickens, David Garrick, Henry Fielding, Hyde Park floggings, Judith Dufour, London eighteenth-century, London the Spectator, London the Tatler, Madame Pickwick, madame pickwick art blog, Richard Sheridan, Robert Griffier, Samuel Scott painter, Smith's Square London, Tyburn public hangings
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canaletto and London: a bit too postcard perfect
The best of cities, in the best of seasons. But what was really happening behind those walls and in those narrow streets on that sunny afternoon. After all, the picture is just too pleasant. Only a tourist could believe it. … Continue reading
canaletto: sunny afternoon
Canaletto in London…. The picture is so pleasant, as a matter of fact,that only a tourist could believe it. The eighteenth-century was, above all, a time of wrenching contrast between rich and poor; of starvation, riots, soaring death rates; a … Continue reading
Posted in Feature Article, Ideas/Opinion
Tagged Canaletto, Canaletto in England, Charles James Fox, Charles James Fox gambling, Dr. Samuel Johnson, Henry Fielding, Judith Dufour, Madame Pickwick, madame pickwick art blog, Robert Griffier painter, Samuel Scott painter, William Hogarth
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billy dimple with a knife
Still, today, long hair and effeminacy seem synonymous: the well-balanced virile man is close-cropped in youth and close-cropped in age. But then in the days of yore, as now, the betting should always be on skimpy clothes and wild hair… … Continue reading
according to hoyle: dicing on the card sharpers
In Las Vegas, the hotel windows are always locked to prevent jumping. Samuel Pepy’s was one of the first to articulate the phenomenon, calling it “deep gaming”, a kind of instinct deep rooted based on the idea, counter to Einstein, … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Adam Smith, Atherton author, Charles II England, Edmund Hoyle, Einstein, Henry Fielding, Herbert M. Atherton, James Balmford, James Gillray, Jane Austen, John Montagu, Madame Pickwick, madame pickwick art blog, Northbrooke, Restoration of Charles II, Samuel Pepys, Susanna Centlive, Thomas Gataker, Thomas Rowlandson, William Byrd III, William Hogarth
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