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Tag Archives: robert stoller
sandusky: labyrinth of fourth and long
Sandusky is a kind of minotaur who sacrificed human victims. This primal, nihilistic rejection in which nearly everything is lost, shattered, despised, mocked and unrepairable. It suggests the sadism uses and abuses the body as an identification with a nightmarish … Continue reading
a little piece of heaven?
Prostrate anxiety? the thingamagig complex. Objectifying the human body as part of splitting off the corporeal from the spiritual and convicting poor Eros of demon status, branding her forever with the unfavorable P.R. she has had to endure. The short … Continue reading
visiting the ladies
What seems real is in fact an illusion created by one’s own desire. It was a perceptive insight, one that would go onto helping define the modern age, the mediation of our lives by images, our relationship with consumerism and … Continue reading
wrapped in the melodrama of vulgarity
Was the impulse of modern art to destroy beauty, to pitch renaissance notions of beauty into the dumpster? Behind De Kooning, was there a profound and embedded hated of women? He did say “flesh was the main reason oil paint … Continue reading
absurdities: the masculine warrior figure
Vanity is usually pretty revolting. An auto-glorification. narcissism. But as a minor saving grace, it can aspire to a certain honesty. But, for some reason, the relationship between vanity and worshiping money remains an enduring legacy, as if the power … Continue reading
Posted in Feature Article, Ideas/Opinion, Modern Arts/Craft
Tagged Cindy Sherman, edouard manet olympia, Ernst Junger, Filippo Marinetti, Hans Bellmer, hermann broch, italian futurism, John Updike, lucio fontana, Max Ernst, Otto Weininger, Piero Manzoni, richard kazis, robert stoller, Umberto Boccioni, Viktor Frankl, Walter Benjamin
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olympia : defiantly real people
Perversion as the implicit dynamic of all modern art? The underlying factor of fueling the entire art/entertainment complex as an effort of a manageable and incremental representation of the perverse. Almost all modernism can be equated with the perverse both … Continue reading