agonizing doubts: the nature of things

Can reason and logic solve all of people’s problems? The great Roman poet Lucretius seems to take the affirmative side in the individual’s unending debate on this question- but his verses are charged with agonizing doubts.

The material of the world is not what it seems to be. A solid, like a rock, or a fluid, like water, is only apparently solid or fluid. Both the rock and the water are composed of myriads of invisible particles which are associated by laws of their own and are in constant movement.

---The goddess Venus- the Roman adaptation of the Greek Aphrodite, appears regularly in the literature and visual arts of the Italian Renaissance. As the goddess of female beauty, fertility and sexuality, patrons and artists found her image invaluable- not only as a fashionable mythological referent indicating their humanist interests in classical antiquity, but also as an excuse to introduce tabooed female nudity into their highly Christianised culture. Her sexually charged appearance, however, is somewhat paradoxical. On the one hand, she is represented as the marginalized object of the male gaze in a culture which privileges the male as both producer and consumer of art. On the other, she is a goddess, deeply rooted in western civilization, who empowers the female.--- Read More:

This earth and the sun and moon and planets, all our universe, in fact, is made up of atoms. The atoms came together to form them, as tiny drops of water come together to form a river. In time, the atoms will separate again, and our universe will cease to exist, as a river does when it runs into the desert and evaporates. But the atoms will never cease to exist. They, and they alone, are eternal.

Earthquakes, volcanic eruptions, epidemics, and such disasters are not caused by god’s anger. They are natural phenomena and can be explained scientifically.

Sensation and thought are function of the body. The soul is not immortal, but is born in the body, develops with it, and will cease to exist when the other physical functions, such as respiration, and heartbeat, stop.

Of these four propositions, most civilized people in the Western world nowadays believe the first and the third. Many believe the second. Some believe the fourth. All four were accepted as unquestionable truth by many Greeks and Romans; they became the theme of a magnificent Latin poem; they were maintained for at least five centuries; and thereafter, for a thousand years, they were buried in oblivion. The first and second, if anyone had even thought of them in the Middle Ages, would have been dismissed as ridiculous; the third and fourth as blasphemous. And yet the Latin poem built on these statements somehow survived.

That such a book, opposed to all the tenets of medieval Christianity and common sense, should have been laboriously copied out in the ninth century, obviously by monks who understood some of what they read and transcribed, is truly surprising. The poem itself, and the character of its author, are something of a mystery too. But one thing is certain: it is a superb poem and it was written by a great poet. His name was Lucretius. He wrote it about sixty years before the birth of Jesus, and he called it The Nature of Things, i.e., The Nature of the Universe.

Who Lucretius was, where he lived, how he learned to write so well, who his friends were, and even what social status he held, we have no way of knowing. None of his contemporaries ever mentions him by name-except Cicero, who remarks that his poetry is full not only of genius but also of technical skill, and Nepos, who refers in passing to his death.

Lucretius did not invent the doctrines that are the body of his poem. What he did was to clothe

in noble verse of a power and subtlety previously unknown in Latin, devise lucid and eloquent illustrations for them, and infuse them with such a perfectly unmistakeable and all but irresistible personal emotion that he often seems- over the gulf of time and through the barrier of language- to speak directly to us from heart to heart. The poetry is his. The doctrines are those of Epicurus.


Botticelli’s Mars and Venus, ( above) is believed to have been inspired by these invocatory lines from Lucretius’s poem The Nature of the Universe:

“Kind lady Venus, cause the savage work of war to rest in calm surcease throughout the sea and land. For you and you alone, can bless mankind with quiet peace: all the savage work of war is ruled by Mars the warrior, who often sinks upon your breast a helpless victim of the quenchless wound of love; with supple neck supine, he gazes up to you, feasting his greedy eyes and drinking in your beauty, a captive hanging helpless on your breathing lips. Embrace him with your sacred body, lady Venus, and while he lies enraptured speak sweet pleading words beseeching him to grant the Romans rest and peace. ”

Lucretius 60 B:C.

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