Tag Archives: Auguste Rodin

fashionable body: wasp waist as ideology

…At a distance of more than four generations, our great-grandmothers’ fanatic loyalty to the wasp-waist ideal would seem absurd were it not that we now understand its deeper significance much better. Far more than a crutch, the corset was a … Continue reading

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fountains: northern ways and water

The twentieth-century fountain revival began somewhat earlier in Scandinavia than it did in southern Europe. The foremost fountain designer of the twentieth century may have been Swedish born sculptor Carl Milles, who spent twenty-one years at Cranbrook Academy in Michigan. … Continue reading

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witkin: aesthetic priest last rites

Sprinkle a bit of holy water. throw some ash over he shoulder and maybe keep a little pepper spray in the frock. A tragic morbidity that seems to romanticize violence even as it masquerades ostensibly as a critique, maybe a … Continue reading

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freudian slide into nihilism

Maybe the problem is a mimicry of art historical forms without connecting to the poetic myths that animated and gave life to these forms. That is, the aura of the profound is a falsification in that the depth of the … Continue reading

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giants: part metal packets

Apparently, size does matter.They are giants. twelve feet high; a haunting reminder of the ancient nephilim said to have wandered the earth in a remote past. But these are mythological monsters transformed into autonomous  structures that do feed a certain … Continue reading

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claudel: before the poison

She was seventeen and wanted to be a sculptor. He was forty-one. He was Auguste Rodin on the verge of  taking to the heights of the French art world, being compared to genius of Michelangelo. He had overcome the major … Continue reading

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every good work of art is a kind of joke

“No , the French spirit will never live in this German larva, in this beer-filled thing which is at the Salon.” wrote a rival sculptor in the “Revue de Monde Catholique”. Others dubbed Rodin “the Michelangelo of the goiter”. The … Continue reading

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repercussions: the esoterics of bronze

The art world divided into warring and acrimonious factions over Auguste Rodin’s “Balzac” was first exhibited as a full size plaster version of the statue shown to the public at he Salon of the Societe Nationale des Beaux-Arts in 1898.Because … Continue reading

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balzac in tormented bronze: oveheated with emotional excess

When is a sculpture not just a sculpture? That it is so intertwined with politics that its initial artistic impulse becomes lost in the quagmire of the partisan. That is what transpired with the sculpture of Honore de Balzac executed … Continue reading

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BRONZE SCULPTURE: ALCHEMIST CONSOLATION PRIZE

The Gates of Hell on which Auguste Rodin worked for two decades,is presently among twenty bronzes  outside in the Sculpture Garden of the Cantor Arts Center at Stanford University. Designed by Robert Mittelstadt, the concept seeks to evoke the spirit … Continue reading

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