Tag Archives: Henri Toulouse-Lautrec

acts of despair in the face of infinity

“Debauchery,” the Goncourts wrote in 1861,”is perhaps an act of despair in the face of infinity.” …The Goncourts wrote prolifically in every genre, but they never had the kind of success they so desperately wanted. They were less admired than … Continue reading

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hubris of perfection

by Art Chantry: saul steinberg was such an odd case. he is one of the very few professional cartoonists (aka, “graphic designer”) who managed to make the transition form commercial artist to fully accepted fine artist. his work landed in … Continue reading

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get happy: fizzy irrational exuberance

Were basically selfish individuals with varying and unpredictable levels of empathy? Ulterior purposes. The French “fine mouche.” The yoke of feudalism was tossed aside a half a millennium ago, and there’s no stopping those middle-class values that the politicians keep … Continue reading

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typecast: like hiring a dentist to do brain surgery

by Art Chantry (art@artchantry.com) Earlier today when i was writing about the wonders of labelmaker, i mention that (before computers) artists did lousy type? well this little essay is all about the official typeface of the art world: duro stencil. … Continue reading

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the wild, the innocent and the complicit

A Disneyfication of any critical content. Any elements that speak truth to power and which  conscientiously deny any aspirations to brush shoulders with the ugly cold confidence of money’s destructive emotional energy. The representation of an innocent grotesqueness where a … Continue reading

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repercussions: the esoterics of bronze

The art world divided into warring and acrimonious factions over Auguste Rodin’s “Balzac” was first exhibited as a full size plaster version of the statue shown to the public at he Salon of the Societe Nationale des Beaux-Arts in 1898.Because … Continue reading

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Dix & threepenny opera: an explicit body politic

The classic Bertolt Brecht question was an examination of the inconceivable; two forces in which it was not possible to reconcile: how can people be dignified and ethical under capitalism? The stock market as a Three-Penny Opera. The petty thieving, … Continue reading

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distorting mirrors: freaks of mechanical reincarnation

Was Otto Dix first and foremost a critic of capitalism? A critic through the bias of the industrial/military/cultural complex that was the beast carrying the burden of material comfort for the lambs. He made sermons without preaching and an artistic … Continue reading

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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF

Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading

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TROPICS OF THE MIND: Forgotten Memories of an Ancestral Darkness

His is the simple and yet incredible story of an unworldly petit bourgeois who painted in an introverted, almost autistic manner. He himself cannot have been fully aware of what he was doing; he did not distinguish between his pictures … Continue reading

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