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Tag Archives: Derek Malcolm
eight and a half : memories & the backward walk
Having trouble dealing with reality and fantasy? Are the forces of discontent overwhelming? Can daydreams and memories at least give us clues to the elusive breakthrough gestating within the psyche? Can we find a way back to ourselves? As one … Continue reading
VIRIDIANA & NEW WORDLY IMPULSES: Free and Imprisoned Old Sicknesses
Luis Bunuel tells us that the comfortable man ( or woman ) , self-concerned, attempting to embrace more comfort, bores us stiff. And what Bunuel is telling us in cinema is what De Tocqueville forecast in “Democracy in America” . … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous
Tagged Alfred Hitchcock, Allen Josephs, Andre Breton, Bert Cardullo, Carlos Fuentes, Charlie Chaplin, De Tocqueville, Derek Malcolm, Ezra Pound, Frederico Fellini, Frederico Garcia Lorca, George Orwell, Georges Braque, Gilles Deleuze, Ian Gibson, James Joyce, Jean Paul Sartre, Jean-Luc Godard, Jonathan Rosenbaum, Leah Churner, Luis Bunuel, Marilyn Ferdinand, Michael Douglas, Oliver Stone, Pablo Picasso, Pauline Kael, Salvador dali, Sigmund Freud, Silvia Pinal, Stanley Kauffmann, Stephen Marche, T.S. Eliot, Tarkovsky, Umberto Eco
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DESPAIR OF THE SAINTS: POVERTY Of The POSITIVE IDEAL
Life is a bitch and then you play cards; even with a crappy hand. The type of the card game is a variant on Utopianism and the odds of beating the house are slight indeed. Luis Bunuel startled filmgoers … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft
Tagged Alfred Hitchcock, Bert Cardullo, David Lynch, Derek Malcolm, Fernando Rey, Francisco Rabal, Franz Kafka, Frederico Fellini, Frederico Garcia Lorca, Ingmar Bergman, James Stewart, Karl Marx, Kim Novak, Leah Churner, Luis Bunuel, Marilyn Ferdinand, Martin Buber, Marxism, Roger Ebert, Roman Polanski, Salvador dali, Silvia Pinal, Stanley kauffman, Stanley Kauffmann, Tod Browning Freaks 1932, Walter Benjamin
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