Tag Archives: Georges Braque

fracturing the bow

In spite of distortion, objects in an expressionistic painting are still recognizable. However, in abstraction, objects tend to lose their identity as objects and take on an existence as pure form. An example is George Braque’s “Musical Forms” which is … Continue reading

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hindsight is a rear-view mirror

and sometimes the small print on that mirror reads, “objects appear larger than they really are.” Disrupting the natural course of history… …Historians know that at times the change was fuzzier, less immediate, and they tend to seize on the … Continue reading

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the breathless historical present

Andre Malraux sought the key to man’s fate by a philosophical study of all the world’s art in his Metamorphosis of the Gods… …Writing almost continuously in the breathless, historical present, Malraux began by reporting a fact: the discovery during … Continue reading

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mix and match tradition

When a Latin-American artist sculpted the Man on Horseback, one might reasonably expect either a political paean or a stinging satire. Yet neither is the case with the barrel-chested, four-wheeled steed somberly mounted by both George Washington and Simon Bolivar, … Continue reading

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distortion: good from far but far from good

Distortion and fragmentation are the cliches, now almost generic that has come to dominate understanding of the modern figure at a mass level. Maybe it conveys the “creative destruction” of capitalism in its natural habitat? But, do any technical explanations … Continue reading

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scorched earth policy: the burning fiddler

The dull oppressive heaviness of Nazi neo-classicism. The scorched earth policy. Everything to repress regeneration and to seal off the gases of expressionist madness that could escape and find their way into the water. It was a meaningless world. If … Continue reading

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fathers and sons: leaving traces

It was a school that combined crafts and fine arts, and conceptually followed a basic  idea that mass-production was reconcilable with  individual artistic spirit. Founded at Weimar in 1919, Bauhaus concepts of art were particularly influenced by Modernism. That is, … Continue reading

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The Sorceror’s Assistant

After his Mexican adventure, Antonin Artaud longed to visit other cultures that still believed in magic. A Dutch surrealist had given him an ancient cane with thirteen knots, and Artaud convinced himself that the magic cane had belonged to Saint-Patrick. … Continue reading

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PICASSO’S REFLEX ANXIETY :2 1/2 Men & Close Encounter of the 3 1/2 Kind

Perhaps more than any other artist, Pablo Picasso depicted the dark side; the Darth Vader of the human psyche, as well as the positive and the beautiful…This departure by Picasso from the so-called “civilized” and classical influences of Western art … Continue reading

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CONFUSION SAYS: Matisse and the Passion of Constant Motion

His whole career, said Matisse, could be thought of as a progress toward clarity and simplification: “A constant struggle for complete expression with a minimum of elements. ” Actually, his career had many meanings, as any great artist’s must, but … Continue reading

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