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Tag Archives: french new wave cinema
going it alone: solitary wave
What then became called New Wave actually began in the early 1950’s when Morris Engel of New York began producing his own motion pictures with the assistance of his wife, Ruth Orkin, a leading photographer in her own right, and … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion
Tagged Cathy Dunn, Francois Truffaut, french new wave cinema, Gerald O'Loughlin, Jean-Luc Godard, Lori March, Madame Pickwick, madame pickwick art blog, Martin Scorsese, Maysles brothers, Morris Engel, Morris Engle Lovers and Lollipops, ruth orkin
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kane: “auteur theory”
by Jesse Marinoff Reyes : … American cinema’s one-time enfante terrible, and one of Hollywood’s most enigmatic stars—making him one of my all-time favorites—we take a look at some graphic expressions of his most famous film, the European-inflected CITIZEN KANE, … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion
Tagged Francois Truffaut, Francois truffaut "auteur theory", french new wave cinema, Hedda Hopper, Herman J. Mankiewicz, Howard Hughes, Jean-Luc Godard, jesse marinoff reyes, John Houseman, Joseph Pulitzer, Madame Pickwick, madame pickwick art blog, Orson Welles, Orson Welles Citizen Kane, Robert McCormick, William Randolph Hearst
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basic melancholy
At the age of twenty-three Jean Seberg had been “discovered” in the heartland of America, precipitated into the starring roles of two monumental flops, dumped by her famous discoverer-Otto Preminger- and cast into cinematic outer darkness, only to be swept … Continue reading
spaces of disclosure
Impressions of distances within and distances beyond. When Hiroshima , Mon Amour came out about fifty years ago, the newsreels were full of Eisenhower being warmly greeted in South Korea, a behavior in sharp contrast to the Japanese who were … Continue reading
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