Tag Archives: Alain Resnais

yellow: jerusalem the golden yellow

Why yellow? The color yellow has long been connected with villainy, cowardice, and jealousy. The color of the traitor and betrayal.  The color of the betrayal of Jesus and the later medieval yellow star recycled by the Nazis who did … Continue reading

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cain and not fable….

Gresham’s Law: the bad tends to drive out the good… …The Holocaust and Auschwitz. The question continues to haunt us, and the answers still elude us. We will never be able to justify the Holocaust, to rationalize it, to explain … Continue reading

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metamorphosis: they begin to mingle

Andre Malraux was an agnostic who worshiped art, and whose private cathedral was that vast and dizzying intellectual structure he called the “imaginary Museum.” Jean Onimus once said of Malraux, “Malraux cannot resign himself to the Death of God. He … Continue reading

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human oh too human

A funny and peculiar war it was. Especially in wartime Vichy Paris which stretched the lexicon of all the imaginative permutations that plumbed the bottom of French culture. The complexities of that particular context were splendidly shrewd and also quite … Continue reading

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invading and devouring everything

by Jesse Marinoff Reyes ( Jesse Marinoff Reyes Design, Maplewood, N.J.) No fake, hipster memoirist (James Frey) or Holocaust experience fabricator (Herman Rosenblatt), but a true writer of substance who penned novelistic memoirs (or memoirish novels) under no uncertain terms—notably … Continue reading

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spaces of disclosure

Impressions of distances within and distances beyond. When Hiroshima , Mon Amour came out about fifty years ago, the newsreels were full of Eisenhower being warmly greeted in South Korea, a behavior in sharp contrast to the Japanese who were … Continue reading

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watering the weeds

The Stavisky scandal. One mans contradictory relationship with truth and death. Yes, the big crooks live on; greedy and cold they get to get swindled another day. Stavisky stood off attacks from the press with bribes, which he called “watering … Continue reading

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$$$ from pigale to palace: origins of the hustle

There is always a fascination with the role of the past and how quickly it fades into oblivion. The actors and contexts may change, but there is always an unseen hand, proffering the levers that mechanically set in motion the … Continue reading

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8 1/2 disruptions of syntax

In Fellini’s 8 1/2 an intellectual laments that the director, Guido, has no central idea, no clear intellectual concept. An English journalist wedges in,”What do you think about the marriage of Marxism and Catholicism?” In 8 1/2  Fellini doesn’t just … Continue reading

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TURN ON, TUNE IN, AND DROP OUT?

According to the “knowability thesis,” every truth is knowable.Frederic Fitch’s paradox refutes the knowability thesis by showing that if we are not omniscient, then not only are some truths not known, but there are some truths that are not knowable. The … Continue reading

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