Tag Archives: Roy Lichtenstein

mix and match tradition

When a Latin-American artist sculpted the Man on Horseback, one might reasonably expect either a political paean or a stinging satire. Yet neither is the case with the barrel-chested, four-wheeled steed somberly mounted by both George Washington and Simon Bolivar, … Continue reading

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revolutionary bluff: pseudo event and image object

It began with Marcel Duchamp. From there it was down the slippery slope to the  avant-gardizing and idealizing of the commodity as a form of esthetic entertainment. The inevitable evolution of market economics to recycle the commodity into various conceptual … Continue reading

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the decorators: artistic purity?

by Art Chantry ( art@artchantry.com) yesterday i wrote an essay about the shep fairey thing. as ususal, there were opinions tossed around all over the place. that subject is ripe for opinions – all of them lame except my own … Continue reading

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conceptual pradoxes: mock logical ironies

His paintings are enigmatic, or are they? hermetic, sometimes didactic, not exactly pop art, nor even op-art, nor anti-art. Also enigmatically, they are regarded as some of the most influential works of the post WWII period. Success is the most … Continue reading

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hard to spot betrayal

From a very extensive review of Donald Kuspit’s The Cult of the Avant-Garde Artist which in part, dismantles Kuspit’s argument and by extension also reinforces much of what is written. The problem is that Kuspit is a near genius, collecting … Continue reading

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debunking the image

But Greenberg, in 1939,  could not have foreseen was that the so-called avant-garde would adot the characteristics of the kitsch art he perceived as being endemically mutable to the forces of totalitariansim. Later, he arrived at a slightly different conclusion, … Continue reading

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burying the dead ends

The avant-garde revolution was over. Ironically, their work also signified the end of avant-gardism  and the onset of post-modernism. The avant-garde had become history. Its contradictions, the emptiness, the triumph of form over substance, essentially its transformation into rote kitsch … Continue reading

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coke: the it and id of it all

Pure nothingness.The embracing of empty contradictions. The fraternization of impossibilities.  The essence of nothingness.Kitsch. It comes from a German word, or even perhaps Yiddish, to denote bad taste. In inexhaustible supply of cheap images to pacify the longings of the … Continue reading

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kitsch and the scandal of discovery

Maybe its about our ingrained habits of denying what we know, but don’t want to know.What could be termed disavowal. A dark, musty zone between knowing and unknowing. There is nothing sexually overt in John Currin’s paintings, an absence of … Continue reading

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moods for moderns

Modernism has become retro…. by Art Chantry (art@artchantry.com): For my money, the philosophical dialog of ‘modernism’ is probably the most important and the single most interesting and intriguing intellectual/creative discussion of the last century, maybe even in the history of … Continue reading

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