Tag Archives: John Constable

petworth: painter’s paradise

He was the perfect patron. Lord Egremont’s whims included art and artists, and Turner painted luminous works at Petworth for him. Egremont befriended and encouraged the artist for more than thirty years, from 1809 until Egremont’s death in 1837. Inside … Continue reading

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perfect patron

Lord Egremont’s whims included art and artists, and Turner painted luminous works at Petworth for him…. One autumn morning in 1826 an uncommonly gifted writer, who, with far less justification, imagined that he was a great artist, awoke to congratulate … Continue reading

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not a recorder of the “right” sentiments

Turner was perhaps the greatest of all British artists, but there was always the question of whether his most adventurous works were evidence of mental decay. Turner was the antithesis of Charles Eastlake, the head of the Royal Academy. Eastlake … Continue reading

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architecture for the gypsy & virtuous ass

The inevitable decline of official institutions that have to do with the arts. Based on the belief of the immutable laws of art. Any institution that sets itself up as the guardian of such laws is, by that very fact, … Continue reading

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conflicting tendencies: the poet and peasant

Nicolas Poussin’s work is full of conflicting tendencies. More exactly, with tendencies that ought to be conflicting and that would be anywhere but in Poussin’s painting. This many sidedness, these very contradictions, determine and explain his classicism. For classicism as … Continue reading

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tendencies that ought to be conflicting

In Marcel Proust’s Remembrance of Things Past, the snobbish Mme de Cambremer at one point exclaims, ” In heaven’s name, after a painter like Monet, who is an absolute genius, don’t go an mention an old hack without a vestige … Continue reading

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DESOLATION IN THE SHADOWS OF REALITY

His range may have been a narrow one, but within its limits he was one of the most sincere painters this country has seen. He was the first who attempted with success to place nature upon canvas with pigments that … Continue reading

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AN ABHORRENCE FOR GLOSSY MIRACLES OF TECHNIQUE

“It was a real learning experience,” she recalls, “to sit for hours with great paintings and get inside an artist’s head to see the logic of how he put the painting together.” Reflecting upon earlier artists who have influenced her … Continue reading

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DISTINCT FROM THE AMBIANCE OF HISTORY

I wandered lonely as a cloud That floats on high o’er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous … Continue reading

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SELF DOUBTS OF A RELENTLESS PERFECTIONIST

The similarity in the approaches to landscape taken by the geographer and the landscape painter have been acknowledged since the first half of the nineteenth century. Both are committed to developing coherent descriptions of he surface of the earth in … Continue reading

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