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Tag Archives: Joseph Brean
HASTEN THE PROCESS:MORE VALUABLE DEAD THAN ALIVE
For it was, in fact, after a conversation with Dr. Gachet that van Gogh, as if nothing were the matter, went back to his room and killed himself. It was not because of himself, because of the disease of his … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Adrian Searle, Alyson Richman Berkley, Bonnie Burstow, Cynthia Rodriguez, Daubigny, David Carmichael, Dietrich Blumer, Dr. Jan Hulsker, Dr. Peyron, Hirschig, Jean Francois Pierre Peyron, John Dorsey, Joseph Brean, Lesley Stern, Marc-Edo Tralbaut, Marguerite Gachet, Norbert Goeneutte, Pat Collucci, Paul-Ferdinand Gachet, Theo van Gogh, Tom Hirschig, Vincent Van Gogh
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TRIVIAL PURSUITS & BOYS IN STRIPED SUITS
”However here we also get the first doubtful use of the Holocaust in Beatrice and Virgil. We are told that fewer than two per cent of Holocaust survivors ever tell of their ordeal. And so:’For his part, Henry now joined … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft
Tagged Aravind Adiga, Aravind Adiga The White Tiger, Brian Cuban, Casey Haskins, Charlie Chaplin, Eli Wiesel, George Orwell, George Orwell Animal Farm, Gerald Feldman, Holocaust, Holocaust denial, Holocaust Fiction, Holocaust Literature, Isaac Bashevis Singer, John Boyne, John Self, Joseph Brean, Joseph Brean National Post, Lina Wertmuller, Lina Wertmuller Seven Beauties, Mel Brooks, Mel Brooks The Producers, Roberto Benigni, Roberto Benigni Life is Beautiful, Salman Rushdie, Simon Wiesenthal Center, Simon Wiesenthal Institute, Yann Martel, Yann martel Beatrice and Virgil, Yasunari Kawabata
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