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Tag Archives: Yann Martel
feeding the shark
So long and thanks for all the fish. She claims the Shalit family was holding her story hostage for four years, and she deserves royalties. As Shalit was exchanged for prisoners, she should also figure into the exchange process. The … Continue reading
telling stories about the book of j
The recent death of Brazilian writer Moacyr Scliar provides a point of departure for examining writing that is outside the ken of the north American context and is deeply inflected with Scliar’s central influences such as Kafka, Isaac Babel, Schlem … Continue reading
TRIVIAL PURSUITS & BOYS IN STRIPED SUITS
”However here we also get the first doubtful use of the Holocaust in Beatrice and Virgil. We are told that fewer than two per cent of Holocaust survivors ever tell of their ordeal. And so:’For his part, Henry now joined … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft
Tagged Aravind Adiga, Aravind Adiga The White Tiger, Brian Cuban, Casey Haskins, Charlie Chaplin, Eli Wiesel, George Orwell, George Orwell Animal Farm, Gerald Feldman, Holocaust, Holocaust denial, Holocaust Fiction, Holocaust Literature, Isaac Bashevis Singer, John Boyne, John Self, Joseph Brean, Joseph Brean National Post, Lina Wertmuller, Lina Wertmuller Seven Beauties, Mel Brooks, Mel Brooks The Producers, Roberto Benigni, Roberto Benigni Life is Beautiful, Salman Rushdie, Simon Wiesenthal Center, Simon Wiesenthal Institute, Yann Martel, Yann martel Beatrice and Virgil, Yasunari Kawabata
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