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Tag Archives: Luigi Russolo
keep your eyes on the road
Two hands on the wheel and not on your fly….It will be the end of the world as they know it….Sometimes things are so nuts, the wackiness only enhanced by state sanctioned religious caveats, against such things as women driving … Continue reading
Posted in Feature Article, Ideas/Opinion
Tagged cynthia fuchs epstein, Dennis Freedman Creative Director W Magazine, Ernest Thompson Seton, Francis Picabia, Hilary Clinton, Kamal Subhi King Fahd University, Linda Evangelista, Luigi Russolo, Manal Alsharif, Maurizio Cattelan, Michael Kimmel, Pierpaolo Ferrari, Shura Council Saudi Arabia, Women2Drive Saudi Arabia
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futurism: hygiene for the unwashed
In the parade scene of Fellini’s Amarcord,the director seems to surgically probe at the roots of Italian fascism. The evidence seems to indicate that even strong-armed fascism cannot control the id. In fact, its swollen and pussy ideology and exaggerated … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft
Tagged Bonfire of the Vanities, Fellini, Fellini Amarcord, Filippo Marinetti, Fra Girolamo Savonarola, Frederico Fellini, Futurism, Italian Futurist art, Kerry Bolton, Luigi Russolo, Nataly Goncharova, Steven Heller, Umberto Boccioni, Walter Benjamin
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the future was now: faster faster
There has always been a link, an association, between Italian futurism and different strains of fascism. Ironically, futurism’s desire to overthrow the old and was followed in a parallel manner by the Dadaists and Marcel Duchamp to overturn existing aesthetic … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft
Tagged Alan Woods, Filippo Marinetti, Frederico Fellini, Italian Fascism, Italian Futurist art, Italian Futurists, Lina Wertmuller Love and Anarchy, Lina Wertmuller Seven Beauties, Luigi Russolo, Marcel Duchamp, Max Horkheimer, Patricia Erens, Prampolini, Theodor Adorno
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