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Tag Archives: Margaret of Flanders
walk on gilted splinters
Philip the Bold, youngest of King John II’s four brothers and his father’s favorite, was robust, but dark complexioned and certanly not handsome. He had marked features and a jutting chin, which persisted among his distant descendants as the Hapsburg … Continue reading →
Posted in Art History/Antiquity/Anthropology, Feature Article, Miscellaneous, Visual Art/Sculpture/etc.
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Tagged Andre Beauneveu, Angers Apocalypse Tapestries, Book of Revelation, Carthusian Monks, Claus de Werve, Claus Sluter, Donatello, Duke John the Fearless, Gothic Sculpture, Hennequin of Bruges, Jacopo della Quercia, Jan van Eyck, Jean Froissart, Jean Froissart Chronicles, King John II, Louis Duke of Anjou, Margaret of Flanders, Michael Slater, Nicolas Bataille, Northern Renaissance Art, Philip of Burgundy, Philip the Bold, Robert Campin, Robina Barson, Sculptor Claus Sluter, The Hundred Years War, Well of Moses Claus Sluter
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