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Tag Archives: Michael Slater
walk on gilted splinters
Philip the Bold, youngest of King John II’s four brothers and his father’s favorite, was robust, but dark complexioned and certanly not handsome. He had marked features and a jutting chin, which persisted among his distant descendants as the Hapsburg … Continue reading →
Posted in Art History/Antiquity/Anthropology, Feature Article, Miscellaneous, Visual Art/Sculpture/etc.
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Tagged Andre Beauneveu, Angers Apocalypse Tapestries, Book of Revelation, Carthusian Monks, Claus de Werve, Claus Sluter, Donatello, Duke John the Fearless, Gothic Sculpture, Hennequin of Bruges, Jacopo della Quercia, Jan van Eyck, Jean Froissart, Jean Froissart Chronicles, King John II, Louis Duke of Anjou, Margaret of Flanders, Michael Slater, Nicolas Bataille, Northern Renaissance Art, Philip of Burgundy, Philip the Bold, Robert Campin, Robina Barson, Sculptor Claus Sluter, The Hundred Years War, Well of Moses Claus Sluter
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A BETRAYAL OF SELF PITY
”There are many recorded tales and traits of the author’s infancy, but one small fact seems to me more than any other to strike the note and give the key to his whole strange character. His father found it more … Continue reading →
Posted in Cinema/Visual/Audio, Feature Article, Literature/poetry/spoken word, Miscellaneous
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Tagged Ben Kingsley Fagin, Catherine Hogarth, Charles Dickens, Charles Spencer, Dickens Little Dorrit, Dickens Martin Chuzzlewit, fagin Dickens, Fred Barnard, Gilbert Keith Chesterton, Jenny Hartley, John Forster, Michael Slater, Michael Slater Charles Dickens, Nelly Ternan, Rowan Atkinson, Sir Ben Kingsley, www.helium.com, www.victorianstation.com
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