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Tag Archives: Matthias Grunewald
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All the arguments for de-legitimizing Israel are fair game. Not for the supposed and ostensible reasons we usually hear, excessive violence, and racism for example, but because the country is totally inept, and for its own security and those of … Continue reading
Posted in Feature Article, Ideas/Opinion, Marketing/Advertising/Media
Tagged Ami Popper, Amos Oz, Ben Dror Yemini, Bob Dylan, bob dylan world gone wrong, Franz Kafka, George Grosz, Gideon Levy Haaretz, Lyonel Feininger, Madame Pickwick, madame pickwick art blog, Matthias Grunewald, Max Brod, MK Shlomo Benizri, Moshe Katsav, Ray Caesar art, Ron Myberg, shimon peres, Steven Plaut
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the fallen: paradox of the soul
The Belgian film Hasta La Vista, about three disabled young men on a road trip in Spain’s wine country to lose their virginity in a specialty bordello, has been getting some critical acclaim, most notably, the grand prize at the … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion
Tagged Albrecht Durer, asta philpot, Bruegel the Cripples, come as you are ( hasta la vista ), daniel heinsius, geoffrey enthorn, Hieronymous Bosch, hugo simberg, Lucas Cranach the Elder, Matthias Grunewald, montreal world film festival, Otto Dix, Pieter Bruegel the Elder, Rembrandt
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abberations from the ideal form
The German realist movement or broader German expressionist movement of the post WWI era that popularly characterizes Otto Dix, George Grosz and Max Beckmann, and then links them into a category of depictions of corruption and a largesse of lifestyle … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft
Tagged Adam Phillips, Albrecht Altdorfer, Albrecht Durer, Alessandro Botticelli, Beckmann, Donald Kuspit, George Grosz, Guy Debord, Hieronymous Bosch, Intimate Strangers 2004, Jean Paul Sartre, Leo Bersani, Lucas Cranach, Matthias Grunewald, Max Beckmann, Otto Dix, Pablo Picasso, Patrice Leconte, Pieter Bruegel the Elder, Sandrine Bonnaire, Sigmund Freud
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MARRIED TO TEMPTATION
”Marriage without love, is the Compleatest Misery in life. Besides, I must say, it is to me utterly unlawful, and entails a Curse upon the persons, as being wilfully perjured, invoking the Name of GOD to a falsehood, which is … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Literature/poetry/spoken word, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Ann Ford, Daniel Defoe, Daniel Defoe Moll Flanders, David Blewett, Fanny Hill, George Bickham, Heinrich Heine, Hieronymous Bosch, Ian Watt, James Gillray, Jan Brueghel, Jane Austen, Jeff Nall, Jeremy Bentham, Leopold Damrosch, Malinda Snow, Marilyn Westfall, Marquis de Condorcet, Matthias Grunewald, Maximillian Novak, Pieter Bruegel the Elder, Richard Brown, Richard Titlebaum, Robinson Crusoe, Roxana Daniel Defoe, Thomas Gainsborough, Thomas Rowlandson, www.circlemakers.org
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ANXIETY AS SHARP AS A TOOTHPICK
What me worry?The Beats, the banks, the bulls and the bears. That the world might suddenly end is not a new anxiety, but an eternally recurring old anxiety that is continually renewed. The testimony of Lloyd Blankfein, CEO of Goldman-Sachs … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Marketing/Advertising/Media, Miscellaneous, Music/Composition/Performance, Visual Art/Sculpture/etc.
Tagged Allen Ginsberg, Beat Poets, Ben Bernanke, Bloomberg Business news, Compendium Maleficarum Guazzo, Fabrice Tourre, Getty Images, Goldman Sachs, Lloyd Blankfein, Lloyd Blankfein Goldman Sachs, Lloyd Craig Blankfein, Matt Taibbi, Matthias Grunewald, Michael Daly, Patricia Cohen, Patricia Cohen New York Times
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GARDENS OF EARTHLY DELIGHTS
Jean Jacques Rousseau’s ‘‘Social Contract” was a theoretical blueprint for a society of equals.It was at once a return to original sin within a society of unequals.It was an apex for the planet of the apes of civilization.It was a … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Literature/poetry/spoken word, Miscellaneous
Tagged Diderot, French Literature, Henry David Thoreau, Hieronymous Bosch, Jean Jacques Rousseau, Marxist, Matthias Grunewald, Oscar Wilde, Rousseau, Salman Rushdie, The Satanic Verses, Voltaire
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FROM CRAFTSMAN TO GENTLEMAN: AN ALLEGORICAL PREMISE
Albrecht Durer( 1471-1528 ) is usually called the greatest German artist, despite the importance accorded to Matthias Grunewald, whose more wild and fantastic fervor, even hallucinatory art, is more to the modern taste than Durer’s methodical exploration of the world … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Agnes Frey, Albrecht Durer, Erasmus, Erwin Panofsky, german art, Italian Renaissance, John Canaday, Leonardo Da Vinci, Martin Buber, Martin Luther, Matthias Grunewald, Renaissance Art, Wagner
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