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Tag Archives: Adam Phillips
abberations from the ideal form
The German realist movement or broader German expressionist movement of the post WWI era that popularly characterizes Otto Dix, George Grosz and Max Beckmann, and then links them into a category of depictions of corruption and a largesse of lifestyle … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft
Tagged Adam Phillips, Albrecht Altdorfer, Albrecht Durer, Alessandro Botticelli, Beckmann, Donald Kuspit, George Grosz, Guy Debord, Hieronymous Bosch, Intimate Strangers 2004, Jean Paul Sartre, Leo Bersani, Lucas Cranach, Matthias Grunewald, Max Beckmann, Otto Dix, Pablo Picasso, Patrice Leconte, Pieter Bruegel the Elder, Sandrine Bonnaire, Sigmund Freud
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$#*! That’s real real gone
Its not an ecstasy of death. Its brutal, factual, inescapable physical event devoid of sentiment, nostalgia, romance, and valor. It is the Triumph of Death; uncannily realistic and without myth, or sermon or ritual. To Otto Dix, death was not … Continue reading
Posted in Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft
Tagged Adam Phillips, Felix Nussbaum, Francisco Goya, Goya, Goya Maja, Leo Bersani, Marcel marceau, Mark Vallen, Otto Dix, Richard Poirier, Robert Fulford, T.S. Eliot, Ulysse Dutoit, Viktor Frankl
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