Tag Archives: Robert Hughes

homer: arcadia americana

It’s art that arrives at its destination from the outside and then pays attention to observation. Homer is part of the strong figurative tradition in American art, and although appropriated as a popular stereotype it reaches back to older, quite … Continue reading

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getting your irish up: the bog trotters

In the last few hundred years, dark-skinned peoples have been likened to apes in an effort to dehumanize them and give some form of reasoning behind their oppression and general use . This is not unfamiliar to most Americans as … Continue reading

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those were the days

In The End of Art, Donald Kuspit argues that art is over because it has lost its aesthetic import. Art has been replaced by ‘postart’, a term invented by Alan Kaprow, as a new visual category that elevates the banal … Continue reading

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9/11: reaching for the noble among the ruins

Politics in art seems almost inevitable, especially the emotional issue surrounding 9/11, national identity and larger geopolitical concerns which with the unfolding of the Arab Spring, perhaps a metaphor for “regime change”, bring to light an arc of economically motivated … Continue reading

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kitsch and the scandal of discovery

Maybe its about our ingrained habits of denying what we know, but don’t want to know.What could be termed disavowal. A dark, musty zone between knowing and unknowing. There is nothing sexually overt in John Currin’s paintings, an absence of … Continue reading

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freudian slide into nihilism

Maybe the problem is a mimicry of art historical forms without connecting to the poetic myths that animated and gave life to these forms. That is, the aura of the profound is a falsification in that the depth of the … Continue reading

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modigliani: mad, bad but a light burning bright

Very interesting take on a comparison between Modigliani and Picasso by Donald Kuspit. The point of  departure could be Nietzsche’s oft-cited quote that “god is dead” and with him the head of morality also fell from the guillotine into the … Continue reading

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wearing a mask that grins and lies

We often have a sometimes contradictory and ambiguous relationship to popular culture. In one way, its potentially powerful means to share knowledge and criticize consumer society across different boundaries in an oppositional and sometimes subversive manner. However, against this backdrop, … Continue reading

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drawing on pre-human sources

Its an old idea. The typical John Doe sees an abstract expressionist painting, and explains to himself that there is no justice in this world. Why should the likes of Willam de Kooning, Jackson Pollock et al. be so immortalized … Continue reading

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duchess of alba: seven year fling

At about the time that Goya began work on the “Caprichos” , he also began his famous but always somewhat ambiguous affair with the Duchess of Alba, probably the most vivid figure that her society produced. In 1795 she visited … Continue reading

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