Tag Archives: Ulysse Dutoit

disruptive mobility: mop up the unemployed imagination

Posted on March 10, 2011 by Dave

Art that contradicts by showing its contradictions, its unresolvable tensions, will usually end up being debunked and marginalized as a distortion to a broader picture.A random anomaly to be forgotten. There is a tendency to want to keep our morals, … Continue reading →

Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft | Tagged Bersani, Cindy Sherman, Colin Maccabe, Conrad Felixmuller, Craig Owens, Donald Kuspit, E.H. Gombrich, Edward Bernays, Felix Nussbaum, Francisco Goya, George Grosz, Gottfried Helnwein, Goya, Guy Debord, Leo Bersani, Mark Vallen, Max Beckmann, Sigmund Freud, T.S. Eliot, Ulysse Dutoit | Leave a comment

$#*! That’s real real gone

Posted on February 19, 2011 by Dave

Its not an ecstasy of death. Its brutal, factual, inescapable physical event devoid of sentiment, nostalgia, romance, and valor. It is the Triumph of Death; uncannily realistic and without myth, or sermon or ritual. To Otto Dix, death was not … Continue reading →

Posted in Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft | Tagged Adam Phillips, Felix Nussbaum, Francisco Goya, Goya, Goya Maja, Leo Bersani, Marcel marceau, Mark Vallen, Otto Dix, Richard Poirier, Robert Fulford, T.S. Eliot, Ulysse Dutoit, Viktor Frankl | Leave a comment

CARAVAGGIO: THE DUALITY OF BEAUTY & RUIN

Posted on August 16, 2010 by Dave

Caravaggio’s faces, images and sensations are those of today, having far more immediacy, cutting edge and brute realism than anything by Damien Hirst or recent Turner Prize winners. Caravaggio was obsessed with the violence of life and painted the violence … Continue reading →

Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Alex Russell, Andrew Marr, Canova, Damien Hirst, David Eskerdjian, David Hockney, Donald Posner, E.H. Gombrich, Egon Schiele, Genevieve Warwick, Giovanni Baglione, Helen Langdon, Howard Hibbard, Jacques-Louis David, John Varriano, Joseph Phelan, Jules Janick, Leo Bersoni, Libby Anson, Michelangelo, Nicola Hodge, Peter Paul Rubens, Peter Robb, Richard Spear, Ulysse Dutoit | Leave a comment

OBSESSION WITH VITALITY & DEATH: "CONNOISSEUR OF VIOLENCE"

Posted on August 15, 2010 by Dave

Caravaggio’s novelty was a radical naturalism which combined close physical observation with a dramatic, even theatrical, use of Tenebrism, the shift from light to dark with little intermediate value. He burst upon the Rome art scene in 1600 with the … Continue reading →

Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Andrew Marr, Barnaby Wright, Caravaggio, Charles H. Carman, David Hockney, Donald Posner, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Genevieve Warwick, Giovanni Baglione, Helen Langdon, Howard Hibbard, John House, John Varriano, Joseph Phelan, Jules Janick, Leo Bersoni, Leonardo Da Vinci, Libby Anson, Luke Walladge, Nicola Hodge, Peter Paul Rubens, Peter Robb, Richard Spear, Roger Hinks, Roger P. Hinks, Ulysse Dutoit | Leave a comment

REALITY CHECK: AT THE NEXUS OF DEATH & LOVE

Posted on August 15, 2010 by Dave

“The religion whose savior is born in the humblest circumstances, who during his three year pubic ministry consorted mainly with lowlifes, criminals, publicans and the possessed and whose harrowing death on the cross was, in the words of St. Paul, … Continue reading →

Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Andrew Marr, Charles H. Carman, Charlie Rose, Courbet, David Hockney, Donald Posner, Dr. Barnaby Wright, Genevieve Warwick, Giovanni Baglione, Helen Langdon, Howard Hibbard, John Varriano, Jules Janick, Leo Bersoni, Libby Anson, Nicola Hodge, Peter Robb, Philip Neri, Pieter Bruegel, Pieter Bruegel the Elder, Richard Phelan, Richard Spear, Roger P. Hinks, Thomas Nashe, Ulysse Dutoit, Velazquez, Walter F. Friedlaender | Leave a comment

EROS RUNNING WILD:CARDINAL SINS & LEGAL RUN-INS

Posted on August 14, 2010 by Dave

“Indeed, Caravaggio may be indicating his taste for homoerotic subjects through his androgynous male figures, figures at once muscular and yet recognizably “feminine” in some of their poses and expressions. Since antiquity, the androgynous had been associated with effeminacy and … Continue reading →

Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Andrew Marr, Bernard Berenson, Caravaggio, Charles H. Carman, David Hockney, Donald Posner, Genevieve Warwick, Giovanni Baglione, Helen Langdon, Howard Hibbard, Ingres, John House, John Varriano, Joseph Phelan, Jules Janick, Leo Bersoni, Libby Anson, Marcel Proust, Nicola Hodge, Ottavio Leoni, Peter Robb, Philip Neri, R. Blade, Richard Spear, Roger Hinks, Roger P. Hinks, Thomas Nashe, Ulysse Dutoit | Leave a comment

THREADS OF HORROR FROM THE "EVIL GENIUS"

Posted on August 13, 2010 by Dave

“What in effect Caravaggio is doing systematically and deliberately, for the first time in the history of art, is destroying the space between the event in the painting and the people looking at it…” “Michelangelo Merisi, known as Caravaggio (1571-1610) … Continue reading →