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Tag Archives: Bellenger
and the moon struck one
Exposing the infinite madness of the unconscious. Showing that anti-establishment art could be accepted, ultimately, by the powers that be through a direct democratic appeal to the what could be called “the great unwashed” unperturbed and uncorrupted by the veneer … Continue reading
charisma of the radiant but broken
Soul under the spell of the moon. The thrill. The construction of empty form. Kitsch before there was kitsch. It meant using high art to express low life, the underworld and it was the beginning of sensationalism that the reign … Continue reading
REAL MAD, SOMEWHAT BAD & A LOT OF KITSCH
Henry Fuseli’s ghostly and frightening subject-matter was a visual continuum of the Gothic novel, which developed an aesthetics of terror and horror, was occupied with dreams and the unconscious, and often looked back to the feudal world. Fuseli once said, … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Alfred de Musset, Anne-Louis Girodet, Bellenger, Charles Nodier, Donald Kuspit, Donizetti, E.H. Gombrich, Erich Fromm, Ernst Gombrich, Etienne-Jean Georget, Eugene Delacroix, Franz Xaver Messerschmidt, Friedrich Holderlin, GĂ©rard de Nerval, Henry Fuseli, Horace Walpole, Jacques-Louis David, John Milton, John Ruskin, Louis Sass, Marquis de Sade, Michel Foucault, Nikolaus Lenau, Rembrandt, Robert Schumann, Samuel taylor Coleridge, Simon Schama, Soren Kierkegaard, Suzi Gablik, Theodore Gericault, Thomas De Quincey, Victor Hugo, William Blake
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