Tag Archives: Berlioz

THE HOPE PRINCIPLE

The Medusa, a naval frigate, ran aground off Mauritania in July 1816. Only about 250 of the 400 people on board could fit into the lifeboats. On a jerry-built raft about 150 of the others were set adrift. By the … Continue reading

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ADRIFT ON THE RAFT OF THE MEDUSA: APPETITE FOR DESTRUCTION

“The Raft of the Medusa,” while maintaining the symmetry of Poussin, changes painting once and for all. It is sculptural and architectural, but depicts no architecture. Two great overlapping triangles, suggesting both a ship’s sails and the ocean’s waves, define … Continue reading

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AN AURAL EROTIC:DRUNK WITH PASSION

It was infinite ecstasy with ”la belle dame sans merci”. By the time of Berlioz’s ”Symphonie Fantastique” , he had won the Conservatoire’s Prix de Rome, a five year fellowship that entailed two years of residence at the French Academy … Continue reading

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BE AWARE OF THOSE AUDITO-VISCERAL TYPES

“To render my works properly requires a combination of extreme precision and irresistible verve, a regulated vehemence, a dreamy tenderness, and an almost morbid melancholy.” All his life Hector Berlioz tried to set the musical world straight and win acceptance … Continue reading

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TINKLING THE IVORY CADENZA

He played with a devilish brio at the piano. With his ”Etudes of Transcendental Execution”, he transformed the whole art of piano playing. The fierce onrush of trills, skips, and runs, the sudden blows and stormy flourishes, shattered the last … Continue reading

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