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Tag Archives: Georges Tiret-Bognet
MAESTRO OF LOVE & BETRAYAL
”Nothing in my artistic career hurt me more deeply than this unexpected indifference. It was a painful discovery, but it was at least salutary, in that I learnt from it, and from then on I have not gambled even twenty … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Miscellaneous, Music/Composition/Performance
Tagged Beethoven, Benvenuto Cellini, Dante Alighieri, Eleanor Holmes, Ernest Newman, Franz Liszt, George Bernard Shaw, Georges Tiret-Bognet, Gustave Flaubert, Hector Berlioz, Heinrich Heine, Herbert Wernicke, Julio de Diego, Martin Cooper, Paul Gottfried, Richard Wagner, Shostrakovich, Sylvain Cambreling, The Aenid, Thomas F. Bertonneau, Virgil Aenid, www.brusselsjournal.com, www.salomon.org.uk
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BE AWARE OF THOSE AUDITO-VISCERAL TYPES
“To render my works properly requires a combination of extreme precision and irresistible verve, a regulated vehemence, a dreamy tenderness, and an almost morbid melancholy.” All his life Hector Berlioz tried to set the musical world straight and win acceptance … Continue reading
Posted in Feature Article, Miscellaneous, Modern Arts/Craft, Music/Composition/Performance
Tagged A. Grevin, Berlioz, Classical Music France, Classical Music Romantic, Eleanor Holmes, Ernest Legouve, Ernest Newman, Etienne Carjat, Franz Liszt, Georges Tiret-Bognet, Grandville, Gustave Dore, Hector Berlioz, Heinrich Heine, Jean Ignace Isidore Gerard, Katherine Kolb, Kyle Gann, Louis Reybaud, Philip Gengembre Hubert, Richard Wagner, Virgil Thomson, Weber and Gluck, www.artsjournal.com
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