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Tag Archives: Charles Lamb
we need the pillows : sleeping on “waning skepticism”
From the mouth of Harold Bloom. From his quill to god’s scribe. He represents the archetype of the Gnostic personality. If there is a gnostic personality disorder Bloom is a carrier, transmitter and is chronically infected. Or as he puts … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged artemisia Gentileschi, Caravaggio, Charles Lamb, cima da conegliano, dan geddes, david rosenberg, Dirck Bouts, Giotto di Bordone, Harold Bloom, Jacques Derrida, john collier, jonathan rosen, lawrence Alma-Tadema, pauline pistis, Sam Harris, Wallace Stevens, William Blake
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JANE AUSTEN “UNAWARES”: Spontaneous Dislike As A Virtue
“Austen’s comedy participates in the Western tradition of komos –that is, comedy as a revelry in mischief. Liberated from what Charles Lamb calls “the burden of a perpetual moral questioning,” Austen’s mischievous humor specializes in truths uncongenial to the sentimentally-based … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Music/Composition/Performance
Tagged Abi Ryan, Ben H. Winters, Charles Lamb, Claudia Jeanette Lockhart, Claudia L. Johnson, D.C. Measham, D.W. Harding, David M. Buss, David Miall, David Oately, E.M. Forster, Elizabeth Jenkins, Emma Hamilton, Emma Thompson, G.W. Lewes, George Lewes, Heather Jackson, Horace Walpole, Ian Watt, Jan Fergus, Jane Austen, Kate Beaton, Kate Gordon, Kathryn Duncan, Keith Oately, Lady Emma Hamilton, Laura Viera Rigler, Liz Wong, Mary Brunton, Michael J. Stasio, Michael Kellner, Monica Lawlor, Monteiro Belisa, P.D. James, Pamela Mooman, R.W. Chapman, Richard W. Noland, Robert B. Cialdini, Robert P. Irvine, Sarah Siddons, Seth Grahame-Smith, Sigmund Freud, Sonny Liew, Thomas Hobbes, Thomas Rowlandson, Vera Nazarian, Virginia Woolf, Wayne Josephson
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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF
Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous
Tagged Adam Rann, Andre Gide, Andrew Motion, Anne Hathaway, Audrey Bilger, Ben H. Winters, Caryl Churchill, Catherine Dean, Charles Lamb, Charlotte Bronte, Claire Harman, Colin Firth, Daniel Defoe, David Hirsch, David Lodge, Dominique Enright, Elsemarie Maletzke, Emma Thompson, F.R. Leavis, Fanny Burney, Felix Feneon, Fielding, Goldwin Smith, Henri Toulouse-Lautrec, Howard Jacobson, Jan Fergus, Jane Austen, Jonathan Swift, Leslie Stephen, Lionel Trilling, Maria Edgeworth, Michael Kellner, Michael Thomas Ford, Moliere, Monteiro Belisa, Pamela Mooman, Philip Roth, Richard Simpson, Robert Morrison, Rudyard Kipling, Sam Leith, Sandie Byrne, Sarah Lyall, Seth Grahame-Smith, Shakespeare, Stephane Mallarme, Thackeray, Thomas Macaulay, Virginia Woolf, Wayne Josephson, William Hogarth, William James Dawson
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