Tag Archives: Elizabeth Losh

LOOS MORALS: Let Her Be On Her Red Plump Bed

Posted on December 6, 2010 by Dave

The sensibilities of painters and sculptors have investigated the Annunciation along with Mary’s psychological response, the alluring constitution of the angel, the will of God, the setting, the symbolic potential and the scene’s effect on other characters. Annunciation scenes, like … Continue reading →

Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Barbara Lane, Battistini, Carol J. Purtle, Christa Grossinger, Dieric Bouts the Elder, Dirk de Vos, Elizabeth Losh, Erwin Panofsky, Gerard David, Ghent Altarpiece, Hans Memling, Henk van Os, Hubert van Eyck, Jacques Lacan, Jan van Eyck, Jessica Perry, Johan Huizinga, Joos van Cleve, Petrus Christus, Robert Campin, Rogier van der Weyden, Sven Birkets | Leave a comment

A WOMAN’S GAZE & THE FEMALE IDEAL:Ordained To Be Seen But Not Heard?

Posted on December 6, 2010 by Dave

“Either it really exists or else I have conjured it up so often that it might as well. The painting belongs to a familiar genre – that of the pensive figure in the garden . . . A woman in … Continue reading →

Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Barbara Lane, Carol J. Purtle, Christa Grossinger, Craig Harbison, Dirk de Vos, Elizabeth Losh, Erwin Panofsky, Gerard David, Hans Memling, Henk van Os, Huizinga, Jacques Lacan, Jan van Eyck, Johan Huizinga, Joos van Cleve, Limbourg Brothers The Book of Hours, Ludwig Wittgenstein, Robert Campin, Rogier van der Weyden, Sven Birkets | Leave a comment

ABSTRACT EMOTIVE DEVICES: Pathos of a Single Perpetual Moment

Posted on December 5, 2010 by Dave

Rogier van der Weyden, if for a moment he can be regarded as a pure stylist, is an unexcelled master designer. The Magdalen at the far right of “Deposition” is one of the most exquisitely costumed and patterned figures in … Continue reading →

Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Craig Harbison, Da Vinci, Elizabeth Losh, Erwin Panofsky, Flemish Art, Flemish painting, Jan van Eyck, Kim Woods, Laura Gelfand, Leonardo Da Vinci, Linda Seidel, Michael Glover, Mitchell B. Meiback, Mitchell B. Meibeck, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, suzie nash | Leave a comment

PERSPECTIVE: Uncanny Leaps of Expression and Identity

Posted on December 4, 2010 by Dave

Within a single generation early in the fifteenth-century, three Flemish artists gave final, consummate expression to the Gothic spirit… Perspective, as a systematic distortion paralleling the action of the eye- which is all perspective is, mechanically- becomes a form of … Continue reading →

Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc. | Tagged Annette Labedzki, Arnofini van eyck, Craig Harbison, Dr. Beth Harris, Dr. Stephen Zucker, Edwin Hall, Elizabeth Losh, Erwin Panofsky, Flemish painting, Jan van Eyck, Jenny Graham, John Haber, John Haber Art, Laura Gelfand, Linda Seidel, Master of Flémalle, Northern Renaissance Art, Peter Voorn, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, The Lost Dutchman | Leave a comment

Tag Archives: Elizabeth Losh

LOOS MORALS: Let Her Be On Her Red Plump Bed

A WOMAN’S GAZE & THE FEMALE IDEAL:Ordained To Be Seen But Not Heard?

ABSTRACT EMOTIVE DEVICES: Pathos of a Single Perpetual Moment

PERSPECTIVE: Uncanny Leaps of Expression and Identity

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