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Tag Archives: Dr. Stephen Zucker
PERSPECTIVE: Uncanny Leaps of Expression and Identity
Within a single generation early in the fifteenth-century, three Flemish artists gave final, consummate expression to the Gothic spirit… Perspective, as a systematic distortion paralleling the action of the eye- which is all perspective is, mechanically- becomes a form of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Annette Labedzki, Arnofini van eyck, Craig Harbison, Dr. Beth Harris, Dr. Stephen Zucker, Edwin Hall, Elizabeth Losh, Erwin Panofsky, Flemish painting, Jan van Eyck, Jenny Graham, John Haber, John Haber Art, Laura Gelfand, Linda Seidel, Master of Flémalle, Northern Renaissance Art, Peter Voorn, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, The Lost Dutchman
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PASSION & ELEGANCE: Uneasy Companions
The work of Jan van Eyck, with its balanced, reserved, and dignified realism. is usually considered the summary expression of Flemish genius. His complete Flemishness, along with his unapproachable technical perfection, may explain why his art was less easily assimilated … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Andrew Graham Dixon, Annette Labedzki, Arnofini van eyck, Craig Harbison, Dale Kent, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Drogin, Edwin Hall, Erwin Panofsky, Jan van Eyck, Linda Seidel, Master of Flémalle, Patrick Bernauw, Peter Voorn, Robert Campin, Rogier van der Weyden, Thomas a Kempis, Vermeer, William P. Coleman
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AN ANGEL IN BROAD DAYLIGHT: Elegance Before Passion
Within a single generation early in the fifteenth century, three Flemish artists gave final, consummate expression to the Gothic spirit. … For anyone trying to tell the history of art as a continuous development , the fifteenth century always appears … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Battle of Agincourt, Donatello Sculpture, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Filippo Brunelleschi, Flemish Art, Jan van Eyck, Masaccio, Master of Flémalle, Northern Renaissance Art, Northern Renaissance Painting, Philip the Good, Robert Campin, Rogier van der Weyden
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THE FUSSY BACHELOR: “BRILLIANT CONTROL” IN THE CONTEXT OF HYSTERIA
“In his The True Value of Oppositions in Life and Art and elsewhere Mondrian argued in favour of trying to reconcile a series of binary oppositions such as good and evil through painting: generally in life we readily perceive oppositions as particular forms, … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Aaron H. Esman, Aniela Jaffe, Daniel H. Caldwell, David Sylvester, Dee Reynolds, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Fred Jameson, Gary Kennard, Harry Holtzman, Harry Holzman, Helena Blavatsky, Holzman, James W. Hamilton, Josephine Baker, Justin Wintle, K. Paul Johnson, Ken Gewertz, Lee Penn, Meyer Schapiro, Phyllis Greenacre, Piet Mondrian, R.E. Kantor, Robert Hughes, Roy Goodman, Stephen R.C. Hicks, Theo Van Doesburg, Virginia Hanson
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ECSTASY OF GEOMETRY: READING BETWEEN THE LINES
What was the nature of the quest that moved the Dutch painter Piet Mondrian (1872–1944) to abandon the representation of nature in favor of an art of pure abstraction? What, exactly, did Mondrian believe that he had achieved? In any … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Aaron S. Esman, Alexander Calder, Amelia Jones, Aniela Jaffe, Blavatsky, Brancusi, Charcot, Daniel H. Caldwell, David Sylvester, Dee Reynolds, Dr. Beth Harris, Dr. Stephen Zucker, Dr. Steven Zucker, Elizabeth Truswell, Fred Jameson, Gary Kennard, Hans J. Kleinschmidt, hans L.C. Jaffa, Harry Cooper, Helene Petrovna Blavatsky, J.J. Sweeney, James W. Hamilton, Justin Wintle, K. Paul Johnson, Kasimir Malevich, Ken Gewertz, Lee Penn, M.H.J Schoenmaekers, Mallarme, Meyer Schapiro, Mick Haggerty, Neil A. Dodgson, Nelly Van Doesburg, Parker Tyler, Phyllis Greenacre, Piet Mondrian, R.E. Kantor, Robert Hughes, Ron Spronk, Rudolf Steiner, Stephen Hicks, Stephen R.C. Hicks, Theo Van Doesburg, Truswell, Virginia Hanson, Wallace Stevens, Wassily Kandinsky, willem de Kooning, Yves-Alain Bois
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MIXED BATHING:LIFE GARDE, ARRIERE GARDE & AVANT GARDE
“Through the use of such distortions and rigidity of pose, Cézanne is able manipulate his female figures to attain greater control over their sexuality. In addition, in his Nudes in a Landscape (1900-1905), Cézanne’s confinement of his nudes becomes almost … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Brice Marden, Camille Pissarro, Dr. Beth Harris, Dr. Stephen Zucker, Emile Bernard, Emile Zola, Francoise Cachin, Henri Matisse, Jessica Fields, John Adkins Richardson, John House, Kathleen Adler, Kurt Badt, Meyer Schapiro, Pablo Picasso, Paul Cezanne, Richard Brettell, Richard W. Murphy, Theodore Reff, Ulrike Becks-Malorny
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CEZANNE: "THE WORST OF A BAD BUNCH"
“This radically new approach is perhaps most vividly apparent in Cézanne’s landscapes and even in some of his still lifes, where a mere patchwork of textures coloured shapes is worked into a picture, upon which the eye and mind can … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Auguste Renoir, Brice Marden, Camille Pissarro, Cezanne, Dr. Beth Harris, Dr. Stephen Zucker, Edgar Degas, Edouard Manet, Emile Bernard, Emile Zola, G.E. Moore, George Moore, Henri Matisse, Hortense Ficquet, Jessica Fields, John House, Kathleen Adler, Kurt Badt, Louis Leroy, Meyer Schapiro, Pablo Picasso, Paul Cezanne, Peter Morrell, Picasso, Pissarro, Richard Brettell, Richard W. Murphy
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