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Tag Archives: Pierre Bordieu
THE CELEBRITY OF COMMODITY: Instant Karma of Possession
” Similarly, when Nike introduced a new shoe line “Air Huarache” and wanted to distinguish its sign from those of other shoe lines, Nike adopted John Lennon’s song “Instant Karma” as a starting point for the shoe’s sign value. Nike … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Music/Composition/Performance
Tagged Annie Leib, Craig McClean, David Reisman, Dwight MacDonald, F.R. Leavis, George Konig, Ian Bogost, John Lennon, John Osborne, John Stratton, Jon Stratton, Karl Marx, Keith Waterhouse, Luc Sante, Mark J. Nelson, Patrick Mignon, Philip Norman, Pierre Bordieu, Robert Goldman, Robert Hilburn, Sean Lennon, Sean O'Hagen Guardian, Stephen Papson, Stuart Hall, Sue Summers, Theodor Adorno, Thomas Frank, Thorstein Veblen, Yoko Ono
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ABSTRACT EMOTIVE DEVICES: Pathos of a Single Perpetual Moment
Rogier van der Weyden, if for a moment he can be regarded as a pure stylist, is an unexcelled master designer. The Magdalen at the far right of “Deposition” is one of the most exquisitely costumed and patterned figures in … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Craig Harbison, Da Vinci, Elizabeth Losh, Erwin Panofsky, Flemish Art, Flemish painting, Jan van Eyck, Kim Woods, Laura Gelfand, Leonardo Da Vinci, Linda Seidel, Michael Glover, Mitchell B. Meiback, Mitchell B. Meibeck, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, suzie nash
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STATIC MOVEMENT: Where To Draw The Line
“…Meaning is neither found nor given, but that it takes shape arbitrarily, and that it is dependent upon associations and circumstances that scholars, artists, and viewers all bring to their engagement with paintings. It is not constructed by any one … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Craig Harbison, Dr. Beth Harris, Erwin Panofsky, Jan van Eyck, Jenny Graham, John Haber Art, Kim Woods, Laura Gelfand, Linda Seidel, Master of Flémalle, Peter Voorn, Pierre Bordieu, Robert Campin, Rogier van der Weyden, suzie nash
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PERSPECTIVE: Uncanny Leaps of Expression and Identity
Within a single generation early in the fifteenth-century, three Flemish artists gave final, consummate expression to the Gothic spirit… Perspective, as a systematic distortion paralleling the action of the eye- which is all perspective is, mechanically- becomes a form of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Annette Labedzki, Arnofini van eyck, Craig Harbison, Dr. Beth Harris, Dr. Stephen Zucker, Edwin Hall, Elizabeth Losh, Erwin Panofsky, Flemish painting, Jan van Eyck, Jenny Graham, John Haber, John Haber Art, Laura Gelfand, Linda Seidel, Master of Flémalle, Northern Renaissance Art, Peter Voorn, Pierre Bordieu, Renaissance Art, Robert Campin, Rogier van der Weyden, The Lost Dutchman
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