Tag Archives: miles w. mathis

meninas: sweeping out our house

Same shit. Different day.The tragic waltz of nihilism to achieve a kind of purification, a kind of radical immanence. Kitschified and recyclable. It sells. The grotesque arranged for esthetic profit. Artistically, it reflects the love hate relationship with the modern … Continue reading

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the raw deal. throw the dice: winner take all

And winner take all… imagined outcomes. Libidinal investments. Perversion as an attitude and perversion as a practice. As Walter Benjamin said in the Arcades Project:“The fascination of danger is at the bottom of all great passions. There is no fullness … Continue reading

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swallowing man and myth: presence of the green truth

The infiltration of Andelysian luxuriance into Roman severity marks nature’s triumph in Nicolas Poussin’s ultimate works of 1658-1664. As action had once been reduced to immobility, so now it is absorbed by nature’s serenity. Time is swallowed by space, history … Continue reading

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poussin: transposing the poets’s world

Just as it abstracts the figures in the foreground, Nicolas Poussin’s geometry opens up nature in the background. The narrow dramatic stage now gives way to a landscape so vast that, it appears it  would take more than a day … Continue reading

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variations of destructive mockery

Overrated? Is it true that Picasso could pathologically destroy, or sabotage paintings of the old masters by sullying and subverting them? Is it simple playfulness,a prank,a mockery, a tribute, or an attempt to surpass the original? Strip Picasso of his … Continue reading

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cabaret voltaire: an arcade project

Dada as just another shop, another boutique in the arcade? Dada put into question the myths surrounding originality, and the relationship of the artist to the category of “genius”. Dada suggested instead, or implied that everyone could be an artist, … Continue reading

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