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Tag Archives: Hamilton Reed Armstrong
swallowing man and myth: presence of the green truth
The infiltration of Andelysian luxuriance into Roman severity marks nature’s triumph in Nicolas Poussin’s ultimate works of 1658-1664. As action had once been reduced to immobility, so now it is absorbed by nature’s serenity. Time is swallowed by space, history … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion
Tagged Claude Lorrain, Claude Monet, Corot, David Carrier, Ernst Gombrich, Erwin Panofsky, Franz Kafka, Gustave Courbet, Hamilton Reed Armstrong, John Haber Art, Martin Buber, Meyer Schapiro, miles w. mathis, Nicolas Poussin, Richard Wollheim, Thomas Cole art, William Hazlitt
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ACROSS THE UNIVERSE: PSYCHIC INTENSITY OF THE COSMIC OPERA
The earliest reference to Giorgione indicates that he was commissioned to paint frescoes in the Fondaco dei Tedeschi (“Guildhouse of the German Merchants”) in Venice in 1508 and that he was aided in this undertaking by the young Titian. Vasari, … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Adrian Stokes, Alfred Glauser, Anne Christine Junkerman, David Alan Brown, David Teniers, Dr. Francis P. DeStefano, Edgar Wind, Elton John, Ernst Gombrich, Giorgio Vasari, Giorgione, Giovanni Bellini, Hamilton Reed Armstrong, Harry Trosman, Holberton, J. Eric Morales, James Elkins, John Hale, John Lennon, Joseph Phelan, Lionelli Venturi, Marcia B. Hall, Maurizio Calvesi, Michael Glasmeier, Miles Mathis, Nicholas S. Lander, Paul Holberton, Rona Goffen, Rudolf Schier, Salvatore Settis, Waldemar Januszczak, Walter Pater, William Glasmeier, William Shuter, Wolfgang Eller
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SELF EXAMINATION of a LANGUAGE of SIGNS: The Divine Wavelength
The Tempest has been called the first landscape in the history of Western painting. The subject of this painting is unclear, but its artistic mastery is apparent. The Tempest portrays a soldier and a breast-feeding woman on either side of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Albrecht Durer, Alexander Roob, Carl Jung, Da Vinci, Dan Brown The Lost Symbol, David Alan Brown, Dr. Francis P. DeStefano, E.H. Gombrich, Edgar Wind, Giorgio Vasari, Giovanni Bellini, Hamilton Reed Armstrong, J. Eric Morales, John Read, Joseph Phelan, Julia Luisa Abramson, Kenneth Clark, Lionelli Venturi, Marcia B. Hall, Mark E. Koltko-Rivera, Maurizio Calvesi, Paul Holberton, Raphael, Robert Hughes, Salvatore Settis, Sir Martin Conway, Titian, Vendramin, Waldemar Januszczak, Walter Pater
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PRIVATE LANGUAGE and SACRED CONVERSATIONS
Encounters with robbers in the desert…No need for the cross of salvation?…..An esoteric language, an Aristolean network, an ambiguity, or “pentimenti”–changes of mind— of additional, multiple and complex narratives under the surface….. The mystery intrigues and continues to prevail…. The … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Anne Christine Junkerman, Aristotle, Bernard Berenson, David Teniers, Dr. Francis P. DeStefano, Dr. John Dee, Edgar Wind, George M. Richter, Giorgio Vasari, Giorgione, Giovanni Bellini, Hamilton Reed Armstrong, J. Eric Morales, James Elkins, John Dee, Kenneth Clark, Ludwig Wittgenstein, Mary Vidal, Maurizio Calvesi, Paul Holberton, Rona Goffen, Rudolf Schier, Salvatore Settis, Titian, Uffizi, Waldemar Januszczak, Walter Pater, William Glasmeier, Wolfgang Eller
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PRIMAVERA AND THE HERMETIC OCTAVE
Interpreting the mythology of a work of art may fall under the domain of the art sleuth, and an intrepid one at that.Take for example Sandro Botticelli’s masterpiece, ”Primavera”. Those who are willing to settle for a poetical tableau and … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Botticelli, Chloris, E.H. Gombrich, Edgar Wind, Florence, Giorgio Vassari, Hamilton Reed Armstrong, Leonardo Da Vinci, Medici, Michael Hayes, Neo-Platonism, Pico, Pico della Mirandola, Pico Oration, Plato, Plotinus, Renaissance, Sandro Botticelli, Savonarola, The Hermetic Octave, Walter Ulmam, Zephyr
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