Tag Archives: Paul Signac

feneon: tweet tweet, he’s got you beat

If Felix Feneon were alive today, he would be the king of the tweet, the master of the micro-blog. Feneon was a Belle Epoque anarchist and dandy with great artistic sensitivity. After avoiding prison through his silver tongued refutation of … Continue reading

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terrorism: no innocent victims

…At his trial Emile Henry explained with some pride how he had constructed his bomb according to approved scientific principles and had methodically rehearsed his crime. he was less articulate about why he had picked that particular target. The Cafe … Continue reading

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like father like fun

…the almost unknown collection of the grand old man of impressionism was left to an equally unknown museum. At the death of Michel Monet, in 1966, the only son of Claude Monet, the officials knew they were going to get … Continue reading

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legacy: last manners

Michel Monet’s rich legacy of art had been casually, not to say carelessly, stacked about his house since 1926. His own tastes ran to hunting trophies and garish African souvenirs. The inheritors had to scramble from attic to cellar, and … Continue reading

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fire fire! your moneys on fire

Should good art always make those in positions of power and privilege feel uncomfortable, squirmy, ill at ease and irritated by pangs of consciousness even if irregular. Or is an art that is ostensibly anti banking and money serve to … Continue reading

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MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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NO PHOTOGRAPHS for OLD MEN

It was the debut of the picture interview. On the eve of his one hundredth and first birthday in 1886, Marie-Eugene Chevreuil, scientist and director of the Gobelin tapestry works, called at the Paris studio of the photographer G.F. Tournachon. … Continue reading

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EXUBERANT BUT NOT ABERRANT: No Orgies Of COLOR

Henri Matisse was termed a “wild beast”, a fauve. Traditional art was soon to become an irrelevancy, an anachronism, as experimental art began to develop its own audience, its own markets, and its own rationales apart from being merely anti-traditionalist. It seemed … Continue reading

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MATISSE & THE VIOLENCE OF COLOR: Painting Safari

The first “event” in twentieth century  art took place in Paris, regarded as the cultural capital of Western civilization, in 1905.  This exhibition showed the influence of nineteenth century developments of colour and distorted line from artists such as Van Gogh and Gauguin. … Continue reading

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MATISSE:An Inner Loneliness of Precious Time

Art is the most intense mode of individualism that the world has known….No great artist ever sees things as they really are. If he did, he would cease to be an artist.( Oscar Wilde ) The birth of a wild … Continue reading

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