Tag Archives: Andre Derain

artful banker

David Rockefeller’s buying program at the Chase Manhattan Bank made it the greatest corporate patron of art, and started the game of corporate art collecting. It was the thing to do if you were a big blue chip American businessman … Continue reading

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in the pink

When Henri Matisse painted the Pink Blouse in 1924, he was a successfully established artist living in comfort in Nice. Some twenty years earlier, at another Mediterranean seaport, he had to struggle to shape his own distinctive style. It was … Continue reading

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MATISSE: Cut,Paste & Taste

That Matisse would abandon oil painting and adopt a new technique so late in his career was a surprise to many people, although it need not have been. Paper cutouts were, of course, convenient for a semi-invalid, but Matisse had … Continue reading

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MATISSE: War Years and the Morals of Color

Certainly, the war years seems to bring out some ambiguous behavior on the part of French artists in occupied France. On the one hand, it greatly reduced the competition from foreign sources and citizens not of the “vieux souche” , … Continue reading

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PICASSO HO HUM:The Banality of Evil?

The story of Picasso’s Guernica is in itself a study of myth and of enduring magic….Even Picasso could not a foreseen the impact of Guernica and his own struggles living in occupied France. The political situation forced Picasso into isolation. … Continue reading

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MATISSE: “Abnormal to the Last Degree”

The man who created this exotic and compelling art was not easy to know. In 1913, the New York Times dispatched Clara T. MacChesney to interview “The King of the Fauves” in his home outside Paris. Aware that Matisse’s work … Continue reading

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MATISSE:CUTOUTS BETWEEN REASON and FEELING

Ever simplifying and ever synthesizing; younger at eighty than at thirty, Matisse sat in his wheel chair, put aside paintbrush for scissors, and filled his sunset years with patterns of pure color. … “Matisse was the most important of the … Continue reading

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PAPER TIGERS : Hunting Traces of Solitude And GAIETY

In art sometimes, the more things change, the more nothing is the same. The paper cutouts were Matisse’s final flowering; a last expression of this articulation of traces of solitude and gaiety, what he called “the eternal conflict between drawing … Continue reading

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EXUBERANT BUT NOT ABERRANT: No Orgies Of COLOR

Henri Matisse was termed a “wild beast”, a fauve. Traditional art was soon to become an irrelevancy, an anachronism, as experimental art began to develop its own audience, its own markets, and its own rationales apart from being merely anti-traditionalist. It seemed … Continue reading

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MATISSE & THE VIOLENCE OF COLOR: Painting Safari

The first “event” in twentieth century  art took place in Paris, regarded as the cultural capital of Western civilization, in 1905.  This exhibition showed the influence of nineteenth century developments of colour and distorted line from artists such as Van Gogh and Gauguin. … Continue reading

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