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Tag Archives: Virginia Woolf
INSTANT GRATIFICATION:Mysterious Strangers of the New Dispensation
“Words ought to be a little wild for they are the assaults of thought on the unthinking.” ( J.M. Keynes ) An aristocratic disdain permeated the Bloomsbury group. A contempt for the masses as well as the bourgeois. They were … Continue reading
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Tagged Alfred Marshall, Alfred Stieglitz, Bertrand Russell, Bloomsbury Group, D.H. Lawrence, Daniel S. Lieber, David Garnett, David Ricardo, Desmond MacCarthy, Duncan Grant, E.M. Forster, Elvis Presley, F.R. Leavis, Friedrich A. Hayek, Friedrich Nietzsche, G.E. Moore, Georges Seurat, Getrude Himmelfarb, Jack Goncalo, Jenny Tucker, John Maynard Keynes, Leon Edel, Leonard Wolf, Lionel Trilling, Lytton Strachey, Mark Twain, Noel Annon, Paul Krugman, Paul Samuelson, Richard P. Smith, Richard Smith Dollar ReDe$ign project, Robert Skildesky, Roger Fry, Shannon Proudfoot, Sir Roy Harrod, Thomas Arnold, Thomas Paine, Virginia Woolf, Zach Ammerman
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WATER SPIDERS: Quantitative and Social Easing
This aspect of Keynes — the shrewd investor, the canny player of financial markets — is rather unexpected in light of the man ’ s early life and beliefs. Keynes was an aesthete, his first allegiance to philosophy and the art of … Continue reading
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Tagged Anna Upchurch, Bertrand Russell, Cecil Day-Lewis, Clive Bell, Dora Carrington, Duncan Grant, E.M. Forster, Francis Bacon, G.E. Moore, Henry James, Jan Ellen Goldstein, John Maynard Keynes, Kenneth Clark, Leonard Woolf, Lydia Lopokova, Lytton Strachey, Quentin Bell, Roger Fry, Sir Leslie Stephen, Stephen Spender, T.S. Eliot, Vanessa Bell, Virginia Woolf, W.H. Auden
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CHOKING ON CAKE: BROTHER CAN YOU SPARE A DIME?
“Practical men, who believe themselves to be quite exempt from any intellectual influences, are usually the slaves of some defunct economist.” ( Keynes, 1935) And thus it began with adherence to Keynes’s central theme: the modern capitalist economy does not … Continue reading
Posted in Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Allan Greenspan, Andy Warhol, Bloomsbury Group, Cindy Sherman, Claude Monet, Damian Da Costa, Damien Hirst, Daniella Luxembourg, Debbie Reynolds, Don Thompson, Eddie Fisher, Edgar Hardcastle, Elizabeth Taylor, Felix Gonzalez-Torres, Frederic Fekkai, G.E. Moore, Jared Bland, Jeff Koons, John Maynard Keynes, John Muth, Julian Schnabel, Leonard Woolf, Lytton Strachey, Marc Quinn, Maurizio Cattelan, Miryam Lindberg, Nate Freeman, Pablo Picasso, Peter Brant, Philippe Segalot, Richard Nixon, Richard Prince, Simon De Pury, Stanley Kubrick, Stephanie Seymour, Virginia Woolf
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JANE AUSTEN: SMALL WORLDS & STRONG PASSIONS
The desires of Jane Austen were large and complicated. At the social level, she wanted liberty to state views, no matter whom she offended as well as exposing the orthodoxies of her time.She chose her enemies with care and analyzed … Continue reading
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Tagged Alistair M. Duckworth, Anne Hathaway, Billie Piper, Claudia Johnson, D.C. Measham, D.W. Harding, D.W. Hardy, D.W. Winnicott, David Lodge, Deborah Moggach, E.M. Forster, Elizabeth Jenkins, F.R. Leavis, Fay Weldon, George Eliot, Jane Austen, Jessica Benjamin, John Wiltshire, Jon Spence, Kate Gordon, Keith Oatley, Leo Tolstoy, Lionel Trilling, Margaret Drabble, Marilyn Butler, Marivaux, Mark Twain, Martin Amis, Michael Kellner, Monica Lawlor, Pamela Mooman, Richard W. Noland, Robert B. Cialdini, Robert P. Irvine, Robert William Buss, Sam Leith, Sandie Byrne, Susannah Carson, Trilling, Virginia Woolf, Voltaire, William James Dawson
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JANE AUSTEN “UNAWARES”: Spontaneous Dislike As A Virtue
“Austen’s comedy participates in the Western tradition of komos –that is, comedy as a revelry in mischief. Liberated from what Charles Lamb calls “the burden of a perpetual moral questioning,” Austen’s mischievous humor specializes in truths uncongenial to the sentimentally-based … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous, Music/Composition/Performance
Tagged Abi Ryan, Ben H. Winters, Charles Lamb, Claudia Jeanette Lockhart, Claudia L. Johnson, D.C. Measham, D.W. Harding, David M. Buss, David Miall, David Oately, E.M. Forster, Elizabeth Jenkins, Emma Hamilton, Emma Thompson, G.W. Lewes, George Lewes, Heather Jackson, Horace Walpole, Ian Watt, Jan Fergus, Jane Austen, Kate Beaton, Kate Gordon, Kathryn Duncan, Keith Oately, Lady Emma Hamilton, Laura Viera Rigler, Liz Wong, Mary Brunton, Michael J. Stasio, Michael Kellner, Monica Lawlor, Monteiro Belisa, P.D. James, Pamela Mooman, R.W. Chapman, Richard W. Noland, Robert B. Cialdini, Robert P. Irvine, Sarah Siddons, Seth Grahame-Smith, Sigmund Freud, Sonny Liew, Thomas Hobbes, Thomas Rowlandson, Vera Nazarian, Virginia Woolf, Wayne Josephson
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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF
Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading
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Tagged Adam Rann, Andre Gide, Andrew Motion, Anne Hathaway, Audrey Bilger, Ben H. Winters, Caryl Churchill, Catherine Dean, Charles Lamb, Charlotte Bronte, Claire Harman, Colin Firth, Daniel Defoe, David Hirsch, David Lodge, Dominique Enright, Elsemarie Maletzke, Emma Thompson, F.R. Leavis, Fanny Burney, Felix Feneon, Fielding, Goldwin Smith, Henri Toulouse-Lautrec, Howard Jacobson, Jan Fergus, Jane Austen, Jonathan Swift, Leslie Stephen, Lionel Trilling, Maria Edgeworth, Michael Kellner, Michael Thomas Ford, Moliere, Monteiro Belisa, Pamela Mooman, Philip Roth, Richard Simpson, Robert Morrison, Rudyard Kipling, Sam Leith, Sandie Byrne, Sarah Lyall, Seth Grahame-Smith, Shakespeare, Stephane Mallarme, Thackeray, Thomas Macaulay, Virginia Woolf, Wayne Josephson, William Hogarth, William James Dawson
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DANCE NOW PAY LATER: LIQUIDITY TRAP BALLET
The consequences of John Maynard Keynes.He conceived the economic machinery that runs our lives. His brilliant engine, despite overhauls and tune-ups continues to run erratically. Is it the driver or the roads?… Keynes identified the economic importance of animal spirits. … Continue reading
Posted in Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Marketing/Advertising/Media, Miscellaneous
Tagged Adam Smith, Adam Smith Wealth of Nations, Bernie Madoff, Bertrand Russell, Bloomsbury Group, David Ricardo, David Sarna, Duncan Grant, Friedrich A. Hayek, George Melloan, Ike Brannon, Jean Cocteau, Joan Bakewell, John Kenneth Galbraith, John Muth, Leonard Woolf, Lydia Lopokova, Lytton Strachey, Madoff, Michael Arditti, Mozart, Picasso, Robert B. Reich, Robert J. Samuelson, Roger Fry, Satie, Sir Roy Harrod, Virginia Woolf, William Roberts
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CATCHING THE MOMENT OF SIGNIFICANCE
“I married, and then my brains went up in a shower of fireworks. As an experience, madness is terrific … and not to be sniffed at, and in its lava I still find most of the things I write about. … Continue reading
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous
Tagged Angelica Bell, Bertrand Russell, Carrie Crockett, Clive Bell, Douglass Orr, Duncan Grant, Edward Albee, Elizabeth Abel, Elizabeth P. Richardson, G.E. Moore, George M. Johnson, Gerald Brenan, Jan Goldstein, Julian Bell, Leonard Woolf, Lytton Strachey, Malcolm Ingram, Meryl Streep, Michael Holroyd, Roger Fry, S.P.R., Sigmund Freud, Society of Psychical Research, Vanessa Bell, Virginia Woolf
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