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Tag Archives: Annie Besant
MONDRIAN:INCONVENIENT PARADOXES & STRATEGIES OF CONCEALMENT
“As time progressed, however, so did the indoctrination as to the new role of art. In the established media journals we were told by critics such as Clement Greenberg and Leo Steinberg, that Art “challenges previously held assumptions,” and that … Continue reading →
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
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Tagged Aaron H. Esman, Alain Besancon, Aniela Jaffe, Annie Besant, Barbara Hepworth, Ben Nicholson, Blavatsky, Briony Fer, Carel Blotkamp, Carl Jung, Charmion von Wiegand, Clement Greenberg, Frank Elgar, Franklin W. Robinson, Gerrit Rietveld, Gilles Deleuze, Hamilton Reed Armstrong, hans L.C. Jaffa, Harry Holtzman, Helene Petrovna Blavatsky, Jackson Pollock, James W. Hamilton, Leo Steinberg, Maurice Tuchman, Michel Seuphor, Pablo Picasso, Paul Klee, Rudolf Steiner, Theo Van Doesburg, theosophy, Tom Gurney, Wassily Kandinsky
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MONDRIAN: THEOSOPHICALLY PAINTING THE GOLDEN CALF
Art for Piet Mondrian( 1872-1944) was a cultural product and a cultural weapon, a privileged instrument for the construction of an urban and, in the best sense of the word, artificial order. Yet Mondrian’s perception of the world, no matter … Continue reading →
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Marketing/Advertising/Media, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
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Tagged Annie Besant, Ayn Rand, Bart van der Leck, Colin Wilson, David Sylvester, Edouard Schuré, Elizabeth Truswell, Emma Coulomb, Fred Jameson, Gary Kennard, Gerard Pas, Gerrit Rietveld, Gertrude M. Williams, Harry Holtzman, Helene Petrovna Blavatsky, James Randi, Jos Agassi, Meyer Schapiro, Neil A. Dodgson, Piet Mondrian, Richard Hodgson, Rudolf Steiner, Stephen R.C. Hicks, The White Stripes, Theo Van Doesburg, Timothy C. Baker, Tucker Gorman, William Coleman, William Hirstein, William P. Seely
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