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Tag Archives: Barbara Hepworth
MONDRIAN:INCONVENIENT PARADOXES & STRATEGIES OF CONCEALMENT
“As time progressed, however, so did the indoctrination as to the new role of art. In the established media journals we were told by critics such as Clement Greenberg and Leo Steinberg, that Art “challenges previously held assumptions,” and that … Continue reading →
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
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Tagged Aaron H. Esman, Alain Besancon, Aniela Jaffe, Annie Besant, Barbara Hepworth, Ben Nicholson, Blavatsky, Briony Fer, Carel Blotkamp, Carl Jung, Charmion von Wiegand, Clement Greenberg, Frank Elgar, Franklin W. Robinson, Gerrit Rietveld, Gilles Deleuze, Hamilton Reed Armstrong, hans L.C. Jaffa, Harry Holtzman, Helene Petrovna Blavatsky, Jackson Pollock, James W. Hamilton, Leo Steinberg, Maurice Tuchman, Michel Seuphor, Pablo Picasso, Paul Klee, Rudolf Steiner, Theo Van Doesburg, theosophy, Tom Gurney, Wassily Kandinsky
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MONDRIAN:BOOGIE-WOOGIE BATTLING INTO ABSTRACTION
Piet Mondrian ( 1872-1944 ) had a profound belief in progress, the key to which he believed lay in man’s innate dissatisfaction with the merely “natural” world. He disliked classical representational art, for example, because he felt it simply reproduced … Continue reading →
Posted in Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
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Tagged A. Michael Noll, Alexander Calder, Barbara Hepworth, Bart van der Leck, Ben Nicholson, Bridget Riley, Carel Blotkamp, Cristina Silvan, David H. Hubel, David Sylvester, George Hendrik Breitner, Georges Braque, Harry Holtzman, Kazimir Malevich, Maggie Paley, Meyer Schapiro, Michel Seuphor, Neil A. Dodgson, Pablo Picasso, Piet Mondrian, Stephen Hicks, Theo Van Doesburg, Timothy C. Baker, Torsten N. Wiesel, Trevor Winkfield, Umberto Eco, William Hirstein, William P. Seely
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