Tag Archives: David Sylvester

new frontier

The modern sense of the human being. The eternal sense of the individual condition as essentially one of individual conflict and torment, caught in some nasty crosswinds between building and demolition- often simultaneously- the regression and enlightened, the hysterical and … Continue reading

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3 rd of may: shoot in may and go away

Like all great historical and philosophical themes, analyzing the Third of May is somewhat vulnerable to some superficial and not necessarily valid interpretations. The originality of Goya’s treatment in his depiction of the executioners. Where they might expectedly have be … Continue reading

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an enemy of irrational tendencies

Goya’s life was split in two near its midpoint by an illness that very nearly killed him when he was forty-six years old. If he had died, he would have left a large body of work establishing him as one … Continue reading

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revolutionary for reason: consciousness of a tragic humanity

Horror. The world one usually associates with the work of Goya. Even in his brilliant early years as a court painter, an air of evil hung suspiciously in the background of his rococo paintings. Then, after his illness, they lept … Continue reading

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THE FUSSY BACHELOR: “BRILLIANT CONTROL” IN THE CONTEXT OF HYSTERIA

“In his The True Value of Oppositions in Life and Art and elsewhere Mondrian argued in favour of trying to reconcile a series of binary oppositions such as good and evil through painting: generally in life we readily perceive oppositions as particular forms, … Continue reading

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THOSE MODERN FEELINGS: ITS A MATTER OF PLUMBING

“It must be realized that what these artists, Jean Arp, Kandinsky, Klee, Mondrian etc., were concerned with was something far greater than a problem of form and distinction between “concrete” and abstract,” figurative and non-figurative. Their goal was the center … Continue reading

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ECSTASY OF GEOMETRY: READING BETWEEN THE LINES

What was the nature of the quest that moved the Dutch painter Piet Mondrian (1872–1944) to abandon the representation of nature in favor of an art of pure abstraction? What, exactly, did Mondrian believe that he had achieved? In any … Continue reading

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MONDRIAN: THEOSOPHICALLY PAINTING THE GOLDEN CALF

Art for Piet Mondrian( 1872-1944) was a cultural product and a cultural weapon, a privileged instrument for the construction of an urban and, in the best sense of the word, artificial order. Yet Mondrian’s perception of the world, no matter … Continue reading

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MONDRIAN:BOOGIE-WOOGIE BATTLING INTO ABSTRACTION

Piet Mondrian ( 1872-1944 ) had a profound belief in progress, the key to which he believed lay in man’s innate dissatisfaction with the merely “natural” world. He disliked classical representational art, for example, because he felt it simply reproduced … Continue reading

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STRANGE HABITS OF VISUAL NEURONS

During the 20th century many different art forms and movements came to life. The Dutch painter, Piet Mondrian (1872-1944) was a pioneer in the development of abstraction one of the most important art movement of the times. His works from … Continue reading

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