Tag Archives: August Strindberg

angels and demons not included

Ingmar Bergman’s religious views, his particular spiritual ideology have always held interest because unlike a Dawkins or a Hitchens, there is always nuance and ambiguity to Bergman’s views, always a few hidden back door and small windows with cracks in … Continue reading

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farewell to winter light

Ingmar Bergman and god. Antagonistic and at arm’s length and without resolution. A movement between finding security in the idea of god and then followed by severe and chronic bouts of doubt. Maybe its all about a desire for security, … Continue reading

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seventh seal : sitting out the last dance

A dog-tired knight on his return journey from the Crusades travels through a country plagued by the plague where he meets, in a literal sense, death himself. Not death warmed over, but death. Unambiguous death in black and white. The … Continue reading

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dislocation : journals of the anti-saint

Disturbing. Jean Genet is Downright terrifying. A dark star. A solitude and shimmering of a black star. …Outside select literary circles, Genet is today an almost-forgotten writer, so it’s probably appropriate not only to consider the “last Genet,” but also … Continue reading

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strindberg & the painting of chance

August Strindberg was mainly known as a writer, but he was also a radical painter for his time. He viewed the landscape of his native Sweden as a reflection and metaphor for his own churning emotions and his diverse compositions … Continue reading

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SLEEPWALKING IN WEIMAR: Hypnosis in the Asylum

Quoting Hesse’s Steppenwolf -‘Human life is reduced to hell only when two ages two cultures overlap. Now there are times when a whole generation is caught between two ages with a consequence it looses all power to understand itself and … Continue reading

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PERSONALITY CRISIS: VAMPIRES & INSUPERABLE DISTANCE BETWEEN TRUTH AND POSSIBILITY

“In Persona the stunning sensuous-mouthed Liv Ullmann plays Elizabet Volger, an actress who suddenly, during a performance, gets an overwhelming desire to laugh. (She’s acting in a tragedy, so the laughter seems inappropriate to her) And after she gets the … Continue reading

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WE DON’T NEED ANOTHER HERO: FEEDING ON THE TRUTH?

Bergman’s “Persona” is a dark a beautiful film that deals ultimately with heroism; an uncommon theme in our time. “As Kelly Oliver writes, alluding to the enigmatic opening sequence with its images of sacrifice, vampirism, crucifixion and death, “in their … Continue reading

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THOSE MODERN FEELINGS: ITS A MATTER OF PLUMBING

“It must be realized that what these artists, Jean Arp, Kandinsky, Klee, Mondrian etc., were concerned with was something far greater than a problem of form and distinction between “concrete” and abstract,” figurative and non-figurative. Their goal was the center … Continue reading

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MOZARTIANS AND THE SECRET OF THEIR ALLOY

It cannot be denied that the verbal arts, the drama, the novel and a great part of poetry have always fed on conflict, and that they have reached their greatest heights when the conflict was unresolvable except by a tragic … Continue reading

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