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Tag Archives: Joseph Phelan
ACROSS THE UNIVERSE: PSYCHIC INTENSITY OF THE COSMIC OPERA
The earliest reference to Giorgione indicates that he was commissioned to paint frescoes in the Fondaco dei Tedeschi (“Guildhouse of the German Merchants”) in Venice in 1508 and that he was aided in this undertaking by the young Titian. Vasari, … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Visual Art/Sculpture/etc.
Tagged Adrian Stokes, Alfred Glauser, Anne Christine Junkerman, David Alan Brown, David Teniers, Dr. Francis P. DeStefano, Edgar Wind, Elton John, Ernst Gombrich, Giorgio Vasari, Giorgione, Giovanni Bellini, Hamilton Reed Armstrong, Harry Trosman, Holberton, J. Eric Morales, James Elkins, John Hale, John Lennon, Joseph Phelan, Lionelli Venturi, Marcia B. Hall, Maurizio Calvesi, Michael Glasmeier, Miles Mathis, Nicholas S. Lander, Paul Holberton, Rona Goffen, Rudolf Schier, Salvatore Settis, Waldemar Januszczak, Walter Pater, William Glasmeier, William Shuter, Wolfgang Eller
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SELF EXAMINATION of a LANGUAGE of SIGNS: The Divine Wavelength
The Tempest has been called the first landscape in the history of Western painting. The subject of this painting is unclear, but its artistic mastery is apparent. The Tempest portrays a soldier and a breast-feeding woman on either side of … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Literature/poetry/spoken word, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Albrecht Durer, Alexander Roob, Carl Jung, Da Vinci, Dan Brown The Lost Symbol, David Alan Brown, Dr. Francis P. DeStefano, E.H. Gombrich, Edgar Wind, Giorgio Vasari, Giovanni Bellini, Hamilton Reed Armstrong, J. Eric Morales, John Read, Joseph Phelan, Julia Luisa Abramson, Kenneth Clark, Lionelli Venturi, Marcia B. Hall, Mark E. Koltko-Rivera, Maurizio Calvesi, Paul Holberton, Raphael, Robert Hughes, Salvatore Settis, Sir Martin Conway, Titian, Vendramin, Waldemar Januszczak, Walter Pater
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