Tag Archives: Marcel Carne

paisan: real to reel

Impressive. The Italian neo-realists encapsulated the entire postwar delapidation, nihilism and then re-birth by refusing to dodge the issues by intoxicating themselves with pretty pipe dreams and resonant extravaganzas, avoiding the temptation to money making based on the Hollywood formula … Continue reading

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WATTEAU:EMBEDDED LANGUAGE AS AN ART OF LIVING

There is always two contradictory dimensions which Watteau’s paintings contain. On the one hand there is melancholy pleasure signifying sadness, the metaphysics of pleasure; on the other hand, a libertine pleasure without any metaphysical meaning, pleasure which signifies only itself: … Continue reading

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CELEBRITY AS REBELLION TO REASON: An Age of the Enlightened Groupie

The popular culture’s notion that geniuses were crazy certainly received support from the excesses of many of the Romantic artists of the nineteenth century, who had their share of obsessive, manic, and ecstatic behaviors. Further, the “mad scientist” in literature … Continue reading

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PATRIOTIC ROMANCE & WAR DANCE: The Illusion It Was All Worthwhile

There’s an epidemic Stirring passions in young hearts Even the old campaigners Have got it really bad Well we ain’t seen nothing like it Since coronation day But when the street parties sound I’m going underground To keep the rabid … Continue reading

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MIMETIC ART & THE SWEET BLACK ANGELS

”Paris est si petit pour les gens  gens comme nous qui s’aiment d’un aussi grand amour” ( Children of Paradise ) Children of Paradise was conceived as a film spectaculaire in the fullest sense of the term. It is a … Continue reading

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THE ROMANTIC AGONY: FATAL ATTRACTION

It was while he was still a student that Berlioz discovered Shakespeare; ”Shakespeare and Goethe! The mute witness of my torments, who have explained my whole life to me”, and he simulataneously fell in love with the blond Irish actress … Continue reading

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