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Tag Archives: Maurice Denis
BONNARD & LIBERATED FROM GRAVITY: ENDLESS SUMMER
The intense freshness of “the first moving instant vision” provoked by an object. But actually to copy that object increased the distance from that vision. There is always the danger,Pierre Bonnard felt, of the artist’s becoming caught by the incidentals … Continue reading
Posted in Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Andre Derain, Anna Hammond, Carter B. Horseley, Cornelia Lauf, Daniel Richter, Dita Amory, Dr. Francis V. O'Connor, Edgar Degas, Egon Schiele, Fauvism, Francis Bacon, Glenn D. Lowry, Graham Nickson, Greg Lindquist, Henri Matisse, Henry James, jack Flam, John Elderfield, Karen Wilkin, Maurice Denis, Nicholas Serota, Paul Cezanne, Peter Doig, Pierre Bonnard, Rembrandt, Ron Milewicz, Rothko, Ryan McGinness, Sarah Whitfield, Svetlana Alpers, Tony Thomas, Van Gogh
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THE SIMPLE SEER: “FIRST” Possession of a Moment
Human monocular and bifocal vision is very different to the action of the camera lens. In fact, Bonnard’s paintings get much more complex spatially when he gives up using the camera around 1920, and relies more and more on his … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Anna Hammomd, Carter B. Horseley, Dita Amory, Edouard Vuillard, Ezra Pound, Graham Nickson, Henri Matisse, Henri Toulouse-Lautrec, Hiroshige, Hokusai, jack Flam, Ker-Xavier Roussel, Maurice Denis, Pablo Picasso, Paul Cezanne, Paul Gauguin, Paul Ranson, Paul Sérusier, Pierre Bonnard, Piet Mondrian, Sarah Whitfield, Svetlana Alpers, Utamaro
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NONE OF THE ABOVE
”Where do we come from? What are we? Where are we going?” Having presented the questions so handsomely, in his greatest painting, it hardly seems to matter that Paul Gauguin had none of the answers. To look for allegorical meanings … Continue reading