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Tag Archives: Carter B. Horseley
brillo pad to kraft dinner to goldfish: integral equations
Maybe it was supposed to be a fake. This whole PR campaign that faked an incident where Banksy transformed the Jesus the Redeemer statue in Rio de Janeiro into Bin Laden was a photo-shop effort. But, though inauthentic and phony, … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Marketing/Advertising/Media, Modern Arts/Craft
Tagged alain sechas, Andres Serrano, Andy Warhol, arthur danto, Banksy, Carter B. Horseley, Clement Greenberg, don dedillo, Donald Kuspit, Ezra Pound, gil vicente, Guy Debord, Hilton Kramer, integral art, keith martin-smith, Marcel Duchamp, marco evaristti, Maurizio Cattelan, piotr uklanski, thomas pynchon, Walter Benjamin
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BONNARD & LIBERATED FROM GRAVITY: ENDLESS SUMMER
The intense freshness of “the first moving instant vision” provoked by an object. But actually to copy that object increased the distance from that vision. There is always the danger,Pierre Bonnard felt, of the artist’s becoming caught by the incidentals … Continue reading
Posted in Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Andre Derain, Anna Hammond, Carter B. Horseley, Cornelia Lauf, Daniel Richter, Dita Amory, Dr. Francis V. O'Connor, Edgar Degas, Egon Schiele, Fauvism, Francis Bacon, Glenn D. Lowry, Graham Nickson, Greg Lindquist, Henri Matisse, Henry James, jack Flam, John Elderfield, Karen Wilkin, Maurice Denis, Nicholas Serota, Paul Cezanne, Peter Doig, Pierre Bonnard, Rembrandt, Ron Milewicz, Rothko, Ryan McGinness, Sarah Whitfield, Svetlana Alpers, Tony Thomas, Van Gogh
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BONNARD: INTIMATE ESCAPE Into Charged Psychological Moments
Pierre Bonnard (1867-1947) was not a revolutionary artist but he synthesized several different styles to create works of striking painterliness and memorably glorious color. He borrowed a lightness from the Impressionists, a bold palette from the Post-Impressionists and Fauves, a compressed … Continue reading
Posted in Art History/Antiquity/Anthropology, Cinema/Visual/Audio, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Ambrose Vollard, Auguste Renoir, Carter B. Horseley, Cornelia Lauf, Dr. Francis V. O'Connor, Edgar Degas, Georges Braque, Gertrude Stein, Graham Dickson, Henri Matisse, Henri Toulouse-Lautrec, jack Flam, Karen Wilkin, Mark Rothko, Pablo Picasso, Paul Cezanne, Paul Gauguin, Pierre Auguste Renoir, Svetlana Alpers, Tony Thomas
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THE SIMPLE SEER: “FIRST” Possession of a Moment
Human monocular and bifocal vision is very different to the action of the camera lens. In fact, Bonnard’s paintings get much more complex spatially when he gives up using the camera around 1920, and relies more and more on his … Continue reading
Posted in Art History/Antiquity/Anthropology, Feature Article, Ideas/Opinion, Miscellaneous, Modern Arts/Craft, Visual Art/Sculpture/etc.
Tagged Anna Hammomd, Carter B. Horseley, Dita Amory, Edouard Vuillard, Ezra Pound, Graham Nickson, Henri Matisse, Henri Toulouse-Lautrec, Hiroshige, Hokusai, jack Flam, Ker-Xavier Roussel, Maurice Denis, Pablo Picasso, Paul Cezanne, Paul Gauguin, Paul Ranson, Paul Sérusier, Pierre Bonnard, Piet Mondrian, Sarah Whitfield, Svetlana Alpers, Utamaro
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