Tag Archives: Jonathan Swift

heavy wadders

Crap. Rubbish. Shit. A higher truth about our world: all baloney. The underclass image of kitsch rubbish is simply part of the capitalist upper class. An accessory item. An option to be sold short. The ethical cachet of defiant rebelliousness … Continue reading

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a thurber carnival: happy days are here again

The black, memorable year of 1929. Its 2011, three years since the great recession and the economic needle won’t budge.Employment is worse. And the housing crisis and foreclosures show little improvement. Are we in a socialized version of the dirty … Continue reading

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lotus surreal: kimono my people

Do they deliberately mean to be unfathomable? The Japanese way of life has always contained a challenge to Western individuals which historically has provoked extreme responses. At one end, there is a feeling of enviousness of a spirit of graceful … Continue reading

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vice is the spice of life

Prim and proper? Hardly. But, it was jolly old England. Refreshingly, they were not politically correct. The PC Nazi/Yuppie was in an idyllic, and mythological future.  It really began with William Hogarth. Hogarth was the first of these new artists … Continue reading

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every good child deserves favor

There were almost no flickers of sensitivity to the horror. The callous behavior of parents and adults to infants in seventeenth-century England and eighteenth-century France is almost too impossible to appear credible. The women of the poor suckled for a … Continue reading

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HENRY FIELDING :LONDON CALLING & POETIC FAITH

London calling to the faraway towns Now war is declared – and battle come down London calling to the underworld Come out of the cupboard,you boys and girls London calling, now don’t look to us Phoney Beatlemania has bitten the … Continue reading

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HIS MUSE HAD SUNG THE LOUDEST IN TAVERN CHORUSES

By the publication of Tom Jones in 1749, Henry Fielding had  asserted that the  idealized, morally beyond reproach hero is no longer a viable character in literature. The idea of perfectibility was replaced by human flaw and redemption. Secondly, Fielding … Continue reading

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A RAKE IN PROGRESS: WRITING ROWDY,RAW & REGAL

Lady Mary Wortley Montagu prettily characterises Fielding and this capacity for happiness which he possessed, in a little notice of his death when she compares him to Steele, who was as improvident and as happy as he was, and says … Continue reading

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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF

Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading

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BLOOD FLOWERS & HEADS ON THE DOOR

A genre of fiction which first gained popularity in the seventeenth and eighteenth centuries, the epistolary novel is a form in which most or all of the plot is advanced by the letters or journal entries of one or more … Continue reading

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