Tag Archives: Manet

COUNTRY LIFE: IS PARIS BLUSHING?

He was a painter trained in the staid academic tradition but too exuberant to be constrained by it: He was influenced by the old masters, particulary Velazquez and Goya, but Manet reasoned that ones art should reflect ideas and ideals of … Continue reading

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''F'' IS FOR FAKE AND FOOTBALL

Did he or did he not touch the ball with his hand? Of course he took a dive; it had to be fake. He was allegedly hit in the shin ,but was clutching his shoulder.A Pain in the butt, but … Continue reading

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THE BULL LIES DOWN ON BROADWAY

”Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter’s honor.”…“There are only three sports: bullfighting, motor racing, and mountaineering; all … Continue reading

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SAVAGERY SMOTHERED IN LOVE

“Personally, I believe very much in values of savagery; I mean: instinct, passion, mood, violence, madness.” — Jean Dubuffet, 1951.Jean Dubuffet ( 1901-1985 ). A visionary of modern anti-culture. He had a private Art Brut museum, where the world’s largest … Continue reading

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IN-SEINE IMPRESSIONS OF ART & INSULT

From source to estuary, the Seine has lavished her curves and geniality upon those drawn to her, particularly artists who have endlessly pursued her image, thus each finding their own.In the mind’s eye, one sees the Seine only in the … Continue reading

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IMPRESSIONS ABANDONING TO THE LIGHT

In the countryside of northern France he made a garden. And there, Claude Monet, as he grew old and his eyesight failed him, perceived and painted sunlight and water, trees and flowers, as no one ever had before. He literally … Continue reading

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FAMILIAR TRUTHS IN ''A PIMP'S PROFESSION''

“I never knew of but one artist, and this is Tom Eakins, who could resist the temptation to see what they think ought to be rather than what is.” – Walt Whitman. If the self-portrait below does not appear especially jubilant, … Continue reading

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ENEMIES IN ARMS

In politics, the revolutionary radical of today regularly becomes the totalitarian Grand Inquisitor of tomorrow. This is no less true in art: institutional and administrative dedication to freedom often produced a rigid conformity.Or as Hannah Arendt once said, ” The … Continue reading

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