Tag Archives: Camille Pissarro

very dark: obscure pure bees

Equal right to die…. Hannah Arendt termed it an “overpowering reality” that seems to be inherent in totalitarian systems in which the problem of evil could be analyzed but would remain elusive, a fugitive that escaped the most ardent manhunt … Continue reading

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coke or pepsi?

Who is more dishonest, the Left or the Right? If Nate Silver was polling this scientifically, he would likely -19 times out of 20 with 5% deposit refundable on the empties- call it leaning with a qualified toss-up. It ultimately … Continue reading

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two faced value

Threatening complacency and self-satisfaction. Wallowing in the glory of inertia. Taking a pass on disturbing entrenched assumptions. By extension, not resisting to conformity means a negation of what is regarded as the uncannily human, meaning one ventures onto the slippery … Continue reading

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listening to the weather on the jersey shore

Good men in a storm. Our relationship with the weather is in general ambivalent, but obsessional. The revenge of nature; the risk of apocalytic violence reducing all to rubble, the end of time and a nihilistic promise of a spanking … Continue reading

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ASPIRING ONLY TO SILENCE

In “The Painter of Modern Life,” Baudelaire is the first to define Modernism and does so as a conjunction of the eternal and the ephemeral. To find that element of the eternal in the ephemeral which Baudelaire saw as embodying … Continue reading

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SEURAT & THE PSYCHOLOGY of GEOMETRY: Point By Point

Over the past several decades, many scholars have attempted to explain the meaning of this great composition. For some, it shows the growing middle class at leisure. Others see it as a representation of social tensions between modern city dwellers … Continue reading

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TROPICS OF THE MIND: Forgotten Memories of an Ancestral Darkness

His is the simple and yet incredible story of an unworldly petit bourgeois who painted in an introverted, almost autistic manner. He himself cannot have been fully aware of what he was doing; he did not distinguish between his pictures … Continue reading

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REAL IMPRESSIONS: NOBLESSE OBLIGE LESS

In contrast with Post-Impressionism and the avant-garde trends of the twentieth century the painters of French Naturalism and Impressionism rarely gave verbal expression to their aesthetics. “The most solid base for the work of art is reality constantly studied.” ( … Continue reading

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BOHEMIAN RHAPSODY:DON’T SIT ON THE GRASS

“A commonplace woman of the demimonde, as naked as can be, shamelessly lolls between two dandies dressed to the teeth. These latter look like schoolboys on a holiday, perpetrating an outrage to play the man…this is a young man’s practical … Continue reading

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CÉZANNE:ABOLISHING THE TYRANNY OF LINEAR PERSPECTIVE…. FOREVER

Catagorizing the style of Paul Cézanne’s( 1839-1906 )  artwork is problematic. As a young man he left his home in Provence in the south of France in order to join with the avant-garde in Paris. He fell in with the … Continue reading

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