Tag Archives: Kazimir Malevich

back to the salon: trititude and tritism

A labored avant-garde, hack mediocrity, tired formula and mixing the sauce on old recipes resulting in a living fabric of life being transposed into a theatrical event? Its possible the avant garde today is decoration catering to mediocre tastes much … Continue reading

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compromised complex structures

A de-idealization of the human figure. A coldness. An absence of a humanizing purpose. A bit of spitefulness and the malicious thrown in for effect. Willem de Kooning continues to divide critics and pubic. On on part, a misogynist, sexist … Continue reading

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hard to spot betrayal

From a very extensive review of Donald Kuspit’s The Cult of the Avant-Garde Artist which in part, dismantles Kuspit’s argument and by extension also reinforces much of what is written. The problem is that Kuspit is a near genius, collecting … Continue reading

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memory lane

Perhaps the most compelling feature of modernism is the rejection of tragedy. A disdain and unconsciousness of within the context of a rupture with history. Its hubris, a mark of identity and also the genesis of its own failure, a … Continue reading

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burying the dead ends

The avant-garde revolution was over. Ironically, their work also signified the end of avant-gardism  and the onset of post-modernism. The avant-garde had become history. Its contradictions, the emptiness, the triumph of form over substance, essentially its transformation into rote kitsch … Continue reading

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shrink to fit : the matrix of 1000 true fanatics

Digital commerce and the selling of art and cultural products via the web, is a final stage in a long process of transition to code creating from image creating. The idea of creativity as code, art based on code instead … Continue reading

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old wild men: sandwiches of them

See it as a matrix of sensations.Mutable. Unfixed.Unhinged. Something of the child rubbing against the unknown world of the adult. Sometimes we have to go back to reach beyond the future, to be as children, and approach the objects of … Continue reading

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MONDRIAN:BOOGIE-WOOGIE BATTLING INTO ABSTRACTION

Piet Mondrian ( 1872-1944 ) had a profound belief in progress, the key to which he believed lay in man’s innate dissatisfaction with the merely “natural” world. He disliked classical representational art, for example, because he felt it simply reproduced … Continue reading

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STRANGE HABITS OF VISUAL NEURONS

During the 20th century many different art forms and movements came to life. The Dutch painter, Piet Mondrian (1872-1944) was a pioneer in the development of abstraction one of the most important art movement of the times. His works from … Continue reading

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