Tag Archives: Titian

SELF EXAMINATION of a LANGUAGE of SIGNS: The Divine Wavelength

The Tempest has been called the first landscape in the history of Western painting. The subject of this painting is unclear, but its artistic mastery is apparent. The Tempest portrays a soldier and a breast-feeding woman on either side of … Continue reading

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PRIVATE LANGUAGE and SACRED CONVERSATIONS

Encounters with robbers in the desert…No need for the cross of salvation?…..An esoteric language, an Aristolean network, an ambiguity, or “pentimenti”–changes of mind— of  additional, multiple and complex narratives under the surface….. The mystery intrigues and continues to prevail…. The … Continue reading

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RHETORIC OF ENIGMA:The Hidden Subject

Giorgione is counted among the world’s great painters, even though only a handful of paintings are certified as certain to be uniquely attributed to him. The “Tempesta” is his most famous work, but its meaning is still unclear. The enigmatic … Continue reading

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WATTEAU:EMBEDDED LANGUAGE AS AN ART OF LIVING

There is always two contradictory dimensions which Watteau’s paintings contain. On the one hand there is melancholy pleasure signifying sadness, the metaphysics of pleasure; on the other hand, a libertine pleasure without any metaphysical meaning, pleasure which signifies only itself: … Continue reading

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MANET: DESIRES OF THE PASSING MOMENT

… and beauty of the eternal. Is love pleasure or desire? The Good, the Bad and those eternal constants. Edouard Manet, proved that he was an observer of a world in constant flux. Through  the initial reaction to  ”Olympia”, idealism … Continue reading

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BEHIND THE NONCOMMITTAL GAZE

Who else? Who but the well bred, courteous Edouard Manet could have put before an astonished public the “female gorilla”, that “gamy courtesan” Olympia? Public and critics were for once unanimous. There could be no two ways about it: Manet … Continue reading

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OLYMPIA GAZE: DIRECT AND DEFIANTLY UNACCOMODATING

“On first inspection, one might wonder what all the fuss was about. Manet considered himself a painter of still life, and perhaps that’s why Olympia has such a quiet mystery about her. She lounges serenely, starkly unclad but strategically adorned … Continue reading

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COUNTRY LIFE: IS PARIS BLUSHING?

He was a painter trained in the staid academic tradition but too exuberant to be constrained by it: He was influenced by the old masters, particulary Velazquez and Goya, but Manet reasoned that ones art should reflect ideas and ideals of … Continue reading

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BOHEMIAN RHAPSODY:DON’T SIT ON THE GRASS

“A commonplace woman of the demimonde, as naked as can be, shamelessly lolls between two dandies dressed to the teeth. These latter look like schoolboys on a holiday, perpetrating an outrage to play the man…this is a young man’s practical … Continue reading

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DIONYSIAN: WINE,FRENZY & the TORTURED AESTHETIC

In more recent years, even those who admire  Jack Kerouac’s “On the Road” , realize the book  challenges traditional values.For example, observers compare the Greek gods Apollo and Dionysus. In the same manner the  wily economic behavior of modern Greeks … Continue reading

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