Tag Archives: Andre Gide

the foe of the metronome: Does the right hand not know…

… what the left hand is doing?  Chopin, his life though it was marked by illness, was nonetheless, a success. His life brilliant and brief was much like his masterpieces for the piano. Masterpieces cloaked in the enigma  of his … Continue reading

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ASPIRING ONLY TO SILENCE

In “The Painter of Modern Life,” Baudelaire is the first to define Modernism and does so as a conjunction of the eternal and the ephemeral. To find that element of the eternal in the ephemeral which Baudelaire saw as embodying … Continue reading

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TRUTH AS COMEDY: FIDDLER ON JANE AUSTEN’S ROOF

Some critics describe Jane Austen’s works as novels of social comedy. When she wrote Pride and Prejudice she was just twenty-one years old. Her literary life was comprised between 1786 and 1817. A characteristic for the eighteenth century was the … Continue reading

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ABSURDLY DEAD IN THE PRESENT TENSE

In France, it is even possible to remain a writer without writing, as Rimbaud did, living in the consciousness of his contemporaries after his premature creative death, or Valery during his seventeen year silence. So passionately does France hold literature … Continue reading

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CULTURAL PREROGATIVE

In no other country has the great writer received such adulation or the lesser one such respect. To write in France is to make a stake for glory, and ”la gloire” can be a very heady affair since they are … Continue reading

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MOZARTIANS AND THE SECRET OF THEIR ALLOY

It cannot be denied that the verbal arts, the drama, the novel and a great part of poetry have always fed on conflict, and that they have reached their greatest heights when the conflict was unresolvable except by a tragic … Continue reading

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LOOK AT NOTHING BUT SEE EVERYTHING

Andre Gide, a minor novelist, once called the “Comedie Humaine” of Balzac a great fresco crumbling to pieces a little more all the time. Given that he is not entirely wrong, it could be extrapolated today that the novel as … Continue reading

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