Tag Archives: Henry Fuseli

gilligan in a tempest: o brave new world

photoshop making the rounds. I guess we can thank John Heartfield and the Berlin Dada for the original altered art collages of the powers to be and that wanna be. But satire, at heart is an acceptance, perhaps transgressive, but … Continue reading

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corpse poetics

Working with death as an aesthetic. Is it purely the shocking or a continuation of the gothic and the more macabre elements of romanticism, in the tracks of Henry Fuseli passing through Goya’s horrors of war, Kafka hybrid-human creatures and … Continue reading

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just buy the concept: fiction over reality

A Mutual deceit being played out to the hilt?  Are they all just business models? The Culture Jamming trademark has clearly been established in the realm of Adbusters. The necessity of a young, white, demographic to be part of a … Continue reading

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Multiple personality art: 3d goth on the long way back

He claims to be haunted by an alter-ego.And he is probably right. Perhaps more than one. He is also becoming a celebrity; making noise in the world of pop art and serious art with  haunting, surreal, and mysterious digital prints, … Continue reading

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AVOIDING THOSE PERIPHERAL REGIONS OF ROMANCE

Call it a poetic faith whose satisfying sense of wonder compelled them to stop short of that marvellous and enticing flame of Promethean enchantment. Heros zigzagging with tolerable chance. “…in the preface to Tom Jones , Fielding formally asserted his belief … Continue reading

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ZONE OF THEIR OWN : HOBGOBLINS WITH SWORDS

“At the very beginning of the long dialogue between thinkers that makes up western political theory there is Plato’s Republic, and at the very beginning of the Republic there is this strange and interesting exchange. Socrates asks an old man, … Continue reading

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SHEDDING THOSE “TERRESTRIAL GARMENTS” TO THE BACK OF YOUR MIND

“But in the anxiety of the second half of the eighteenth century, the fear of madness grew at the same time as the dread of unreason: and thereby the two forms of obsession, leaning upon each other, continued to reinforce each other. … Continue reading

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REAL MAD, SOMEWHAT BAD & A LOT OF KITSCH

Henry Fuseli’s ghostly and frightening subject-matter was a visual continuum of the Gothic novel, which developed an aesthetics of terror and horror, was occupied with dreams and the unconscious, and often looked back to the feudal world. Fuseli once said, … Continue reading

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US AND THEM: THE MADCAP LAUGHS

Henry Fuseli’s painting “The Mandrake” , now lost, struck the aging Horace Walpole as “shockingly mad, madder than ever, quite mad!” But Fuseli would hardly have regarded that as an insult. Much of the time he was trading on madness … Continue reading

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REAL REAL GONE: ITS A MAD MAD UNDERWORLD

The main claim is that the Romantics turned the agenda of the Enlightenment on its head with a vengeance; it was crisis in an age of reason, the somewhat logical and not unexpected reaction to a scientific age. It was … Continue reading

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